Westwood kindercare: Daycares & Child Care Centers in Westwood, NJ
Daycares & Child Care Centers in Westwood, NJ
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> ALL DAYCARE IN WESTWOOD, NJ
> DAYCARES & CHILD CARE CENTERS IN WESTWOOD, NJ
We welcome you and your little one to our Westwood daycares.
KinderCare partners with families in Westwood, NJ to provide high-quality daycare at an affordable cost. Our approach is designed to inspire a love of learning in your child, creating a safe and supportive environment where they can build Confidence for Life. KinderCare teachers give children the freedom to be themselves, explore, and make friends.
Find one of our child care centers at a location near you!
Whether you are looking for part-time or full-time child care, KinderCare offers an affordable option with plenty of fun and learning. Currently we have 6 daycares & child care centers in or nearby Westwood which can be found just below.
6 Daycares & Child Care Centers in
Westwood,
NJ
-
1.
Old Tappan KinderCare
3.3 miles Away:
176 Old Tappan Rd,
Old Tappan,
NJ
07675
Ages:
6 weeks to 4 years
Open:TUITION & OPENINGS
(201) 750-9590
-
2. Paramus KinderCare
3.6 miles Away:
411 Sette Dr,
Paramus,
NJ
07652
Ages:
6 weeks to 5 years
Open:TUITION & OPENINGS
(201) 634-1893
-
3.
KinderCare at Woodcliff Lake
4.0 miles Away:
450 Chestnut Ridge Rd,
Woodcliff Lake,
NJ
07677
Ages:
6 weeks to 5 years
Open:TUITION & OPENINGS
(201) 505-1680
-
4. KinderCare Suffern
9.9 miles Away:
36 Route 59,
Suffern,
NY
10901
Ages:
6 weeks to 12 years
Open:TUITION & OPENINGS
(845) 357-4048
-
5.
KinderCare at Wayne
10.4 miles Away:
23 Barbour Pond Dr,
Wayne,
NJ
07470
Ages:
6 weeks to 6 years
Open:TUITION & OPENINGS
(973) 628-0222
-
6. Columbus Avenue KinderCare
14.0 miles Away:
808 Columbus Ave,
New York,
NY
10025
Ages:
6 weeks to 4 years
Open:TUITION & OPENINGS
(212) 865-1848
KinderCare at Woodcliff Lake
KinderCare at Wayne
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Frequently Asked Questions about Daycare
How many KinderCare daycares are there in Westwood
There are 6 KinderCare daycare centers within 15 miles of Westwood.
What types of daycare programs are offered in Westwood?
We have a wide range of programs available in Westwood, including full-time and part time daycare for infants and toddlers.
How do I select the right daycare for my child?
When it comes to selecting the best daycare center that will promote your child’s growth and the well-being of your family, the process may appear daunting. We are here to offer guidance and simplify the decision-making process for you. To see our list of the top 6 factors to keep in mind as you look for the perfect daycare center, please click here.
What is accreditation and are Westwood KinderCare centers accredited?
Accreditation is an official review process performed by a nationally-recognized outside agency.
Our centers pursue national accreditation from one of three national child care accreditation agencies:
- National Association for the Education of Young Children (NAEYC)
- National Accreditation Commission for Early Care and Education Programs (NAC)
- National Early Childhood Program Accreditation (NECPA)
To find out which accreditations the KinderCare daycare centers in Westwood have, please visit the individual center pages.
What are your health and safety measures at your child care centers?
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Toddler Daycare in Westwood, NJ
Preschool in Westwood, NJ
Pre-K in Westwood, NJ
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Daycares & Child Care Centers in Westwood, KS
ALL CENTERS
> ALL DAYCARE IN WESTWOOD, KS
> DAYCARES & CHILD CARE CENTERS IN WESTWOOD, KS
We welcome you and your little one to our Westwood daycares.
KinderCare partners with families in Westwood, KS to provide high-quality daycare at an affordable cost. Our approach is designed to inspire a love of learning in your child, creating a safe and supportive environment where they can build Confidence for Life. KinderCare teachers give children the freedom to be themselves, explore, and make friends.
Find one of our child care centers at a location near you!
Whether you are looking for part-time or full-time child care, KinderCare offers an affordable option with plenty of fun and learning. Currently we have 8 daycares & child care centers in or nearby Westwood which can be found just below.
8 Daycares & Child Care Centers in
Westwood,
KS
-
1. Shawnee KinderCare
6.4 miles Away:
6350 Long Ave,
Shawnee,
KS
66216
Ages:
6 weeks to 6 years
Open:TUITION & OPENINGS
(913) 631-6910
-
2.
Chouteau and Parvin KinderCare
9.6 miles Away:
3760 N Jackson Ave,
Kansas City,
MO
64117
Ages:
6 weeks to 5 years
Open:TUITION & OPENINGS
(816) 453-7520
-
3. Raytown KinderCare
9.7 miles Away:
8643 Raytown Rd,
Raytown,
MO
64138
Ages:
6 weeks to 10 years
Open:TUITION & OPENINGS
(816) 356-2294
-
4.
Overland Park KinderCare
9.7 miles Away:
11842 W 112th St,
Overland Park,
KS
66210
Ages:
6 weeks to 6 years
Open:TUITION & OPENINGS
(913) 451-6066
-
5. Prairie View KinderCare
11.2 miles Away:
5900 NW Prairie View Rd,
Kansas City,
MO
64151
Ages:
6 weeks to 5 years
Open:TUITION & OPENINGS
(816) 741-4331
-
Temporarily closed
6.
Woodsonia KinderCare
12.5 miles Away:
5410 Woodsonia Drive,
Shawnee,
KS
66226
Ages:
6 weeks to 12 years
Open:TUITION & OPENINGS
(833) 905-3276
-
7. Overland Park South KinderCare
13.1 miles Away:
7600 W 150th St,
Overland Park,
KS
66223
Ages:
6 weeks to 12 years
Open:TUITION & OPENINGS
(913) 402-1024
-
8.
Lakewood KinderCare
14.1 miles Away:
871 NE Anderson Ln,
Lees Summit,
MO
64064
Ages:
6 weeks to 12 years
Open:TUITION & OPENINGS
(816) 478-2102
Chouteau and Parvin KinderCare
Overland Park KinderCare
Woodsonia KinderCare
Lakewood KinderCare
Search Centers by Zip Code
Enter your ZIP code to find KinderCare centers nearby
- ZIP Code
-
Search Radius:
Search Radius3 miles5 miles7 miles10 miles15 miles25 miles
Chat with us
888-525-2780
Sorry, but chat requires your browser to have JavaScript turned on.
Please turn JavaScript on, or feel free to call us.
Frequently Asked Questions about Daycare
How many KinderCare daycares are there in Westwood
There are 8 KinderCare daycare centers within 15 miles of Westwood.
What types of daycare programs are offered in Westwood?
We have a wide range of programs available in Westwood, including full-time and part time daycare for infants and toddlers.
How do I select the right daycare for my child?
When it comes to selecting the best daycare center that will promote your child’s growth and the well-being of your family, the process may appear daunting. We are here to offer guidance and simplify the decision-making process for you. To see our list of the top 6 factors to keep in mind as you look for the perfect daycare center, please click here.
What is accreditation and are Westwood KinderCare centers accredited?
Accreditation is an official review process performed by a nationally-recognized outside agency.
Our centers pursue national accreditation from one of three national child care accreditation agencies:
- National Association for the Education of Young Children (NAEYC)
- National Accreditation Commission for Early Care and Education Programs (NAC)
- National Early Childhood Program Accreditation (NECPA)
To find out which accreditations the KinderCare daycare centers in Westwood have, please visit the individual center pages.
What are your health and safety measures at your child care centers?
Other Early Education & Child Care Programs in Westwood
Infant Daycare in Westwood, KS
Toddler Daycare in Westwood, KS
Preschool in Westwood, KS
Pre-K in Westwood, KS
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The queen of punk died: how Vivienne Westwood broke taboos and changed fashion Sex Pistols, the main rebel of the fashion world.
Forbes Woman fashion editor Yulia Savelyeva reveals how the punk queen changed the world of fashion — and the world in general surrounded by family and loved ones. And until the last moment, she was doing what she always loved – design, art and writing a book. It ends with the words: “The world needs people like Vivien to change it for the better.” So what is Westwood’s contribution to the world?
In the fashion hierarchy for six decades, Westwood has been crowned the “Queen of Punk”. It is directly related to the well-known fact of her biography: in 1971, together with her then common-law husband and like-minded Malcolm McLaren, a music producer for aspiring punk bands, she opened a shop on King’s Road, where she sold clothes – cut, torn, turned inside out, dissected in every possible way and lavishly decorated with chains, rivets and safety pins. Ripped jeans and T-shirts of the current world of consumption, of course, is due to Westwood.
By the mid-1960s, Vivienne Isabelle Swyer, a girl from a working-class family from the outskirts of London, managed to drop out of her studies at the Harrow School of Art, get married, give birth to her first son, get the surname Westwood from her husband and divorce him, become a teacher of the younger classes and start selling handmade jewelry on Portobello Road. But the meeting with the rebel McLaren once and for all released the energy dormant in Vivienne, and punk culture became an ideal platform for her self-expression.
As they say, the rest is history, but always wild, provocative and always financially successful. McLaren received the most scandalous punk band Sex Pistols as a ward, the store was renamed Sex and in the 1970s became a Mecca for those who wanted to undermine social foundations at least with their appearance. Westwood and McLaren were themselves arrested more than once for disturbing the peace and participating in small protests, but at the same time they were always able to pay bail – both of them were doing quite well.
In 1977, Westwood made perhaps her most high-profile fashion act – especially for the release of the single God Save the Queen by the Sex Pistols, she made a T-shirt with a print of the official portrait of Elizabeth II, on which she pierced Her Majesty’s lip with a safety pin (the original of this T-shirt is now on display Costume Institute at the Metropolitan Museum of Art in New York). So McLaren and Westwood celebrated the 25th anniversary of their monarch, scandalously became famous already in wide circles and “driven” on the wave of this glory to Paris, to the Fashion Week held there.
Sex Pistols manager Malcolm McLaren and Vivienne Westwood in 1977. (Photo by Daily Mirror · Bill Kennedy · Mirror via Getty Images)
After presenting several collaborative collections at Paris Week, Westwood parted ways with McLaren in 1984 and began to build her own fashion business in the industry, where creative and leadership positions were then occupied predominantly by men.
Since then, she has been incredibly successful – in 2020, the brand’s revenue was 42 million pounds, and Westwood’s net worth was estimated at $50 million in 2021.
Her signature style is not only punk slits and pins, BDSM-inspired details in leather and metal, but also elements of Victorian fashion with her bodices, bustles, lace petticoats, top hats from circus costumes (Westwood herself was not afraid to look like a glamorous clowness) and uniforms with leggings from the Battle of Waterloo.
Westwood never ceased to break the taboo, although she was controversial in this too: she stood up for comfort, then for blatant sexuality. In the early 1980s, she was the first to bring models to the catwalk in sneakers, but at the same time she could put them on platforms of such unthinkable height that even such a professional as Naomi Campbell fell from them on the catwalk.
Controversy was Westwood’s way of communicating with the world, demonstrating that a woman is free to look her own way and scorn conservatives. Another loud challenge to society was the appearance on the catwalk in 1994 of the model Carla Bruni in a luxurious chinchilla fur coat on a naked body, open so that only a triangle of the same fur, a kind of wig, was clearly visible in the causal place. As Westwood wrote in her 2016 autobiography, “Truth loves to be naked” and “The only reason I do fashion is to destroy the world’s accepted conformity.”
By the way, Vivien herself never directly identified herself as a consistent feminist, because, in her own words, she always could not stand any purism. Despite this, fashion critics insisted that it was she who gave women the freedom of choice at any age.
She herself lived as she wanted – she did not pay attention to fashion trends and always turned into reality only her own vision.
At the time of the general pursuit of youth, she despised plastic surgery and applied bold, outrageous makeup to her magnificent wrinkles; rode the catwalk on the back of a robust male model even at 76 and was married to her creative director Andreas Kronthaler 11 years her junior.
Even at the reception of Queen Elizabeth II on the occasion of receiving the Order of the British Empire, Westwood did not do the required curtsy, but, after the ceremony, she pulled up the skirt of her gray flannel suit in front of them, showing where her legs begin.
But everything was always forgiven to her. Westwood has been an asset to the monarchy, the epitome of world-famous British eccentricity, an English pop culture phenomenon, three-time British Designer of the Year, and a personal retrospective at the Victoria and Albert Museum back in 2004.
Vivienne Westwood and models during the Vivienne Westwood Fall/Winter 2011/2012 show during Paris Fashion Week (Photo by Pascal Le Segretain Getty Images) check.
In 2005, she released a line of T-shirts and even rompers for children with a bloodied heart and the words I’m not Terrorist Don’t Arrest Me (“I’m not a terrorist, don’t arrest me”) in protest against the state migration policy. In 2015, she brought models to the catwalk with the slogan Fracking is a Crime (“Fracking is a crime”) – about the method of extracting oil and shale gas by hydraulic blasting, condemned by environmentalists from Greenpeace because of the potential pollution of groundwater. In collaboration with the same non-profit organization, she held an exhibition-campaign against oil production in the Arctic (then many British and world celebrities wore her Save the Arctic T-shirt made of organic cotton). In 2018, she presented a video of her new collection, in the final of which the model held the EU flag between her legs – more than an eloquent statement about the attitude of the “Queen of Punk” to Brexit. In 2021, Westwood went on a picket against the extradition to the United States of WikiLeaks founder Julian Assange (whose sympathy has long been expressed for a long time) right in front of the criminal court in London.
Westwood may have been the last designer in history whose social and political rhetoric did not cancel out her fashion work. Despite years of rebellion, the Vivienne Westwood brand has only grown and expanded. Following women’s clothing, men’s clothing appeared, as well as the affordable Anglomania and Red Label lines, accessories and perfumes. All this made the rebel Westwood one of the richest women in Britain. Her commercial sense has never let her down. In the 1990s, she made money on the grunge style, in the 2000s she opened a boutique in Moscow (now defunct), in 2008, as a designer, she took part in the filming of the Sex and the City series – in a wedding dress from Vivienne Westwood and unmarried Carrie Bradshaw.
After all, the emblem of the Vivienne Westwood brand was a scepter – and this is not only a provocation, but also an application for serious and not unreasonable ambitions.
However, with her death, alas, it is impossible to say: “The queen is dead, long live the queen of punks!” – there is no other such figure in the modern world of fashion. This throne is empty, and will not be occupied by anyone.
Related material
Vivienne Westwood: the main facts about the designer Unrecognized in the industry and subsequent awards, rallies and Greenpeace expeditions – we tell you the main thing you should know about the great British designer.
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Backgrid UK/Legion Media
Vivienne Westwood, née Swire, was raised in a working-class family and trained as an elementary school teacher, although she always loved to sew, was interested in art and even tried to become a jeweler. She made her own dress for her wedding to Derek Westwood. But neither the boring job nor the boring marriage lasted long – having met the producer of the Sex Pistols group Malcolm McLaren, Vivienne began a new life with him.
Having entered the punk scene, Vivienne Westwood found her niche in it. She hand-sewn the clothes in her small London flat, with McLaren helping with ideas and designs, first worn by members of the Sex Pistols and then by their fans. Among the scandalous creations were, for example, T-shirts with a crossed-out swastika, an inverted crucifix and the inscription Destroy. Westwood, along with McLaren, opened a small shop in London, where they sold these hand-sewn (or, conversely, torn) things – T-shirts with slogans, mohair jumpers in large knits, deconstructed jackets and more. The tiny store, a few square meters in area, changed its name more than once – at different times it opened under the signs of Let It Rock, Too Fast to Live, Too Young to Die, Sex, Seditionaries and World’s End – but remained a mecca for the entire punk movement that flourished in London in the seventies.
However, until 1981, Westwood did not call herself a designer and did not associate with the fashion industry.
The first full-fledged fashion collection that was shown on the catwalk and interested the press and buyers was Pirates. For Westwood, the collection marked the beginning of the study of the history of costume through the prism of the subculture and aesthetics in which it existed: she studied the clothes of the 17th-18th centuries, recreated, altered, turned inside out and combined with familiar things from the eighties. Later, for example, the near-historical collections of John Galliano and Alexander McQueen were based on her experience. And now things from the first collections of Vivienne Westwood are stored in the Victoria and Albert Museum in London.
In the 1990s, Vivienne Westwood shows featured top supermodels of the era – Kate Moss, Naomi Campbell and more. One of them is even associated with a new round in Campbell’s career: at the Vivienne Westwood show in autumn-winter 1993, the model walked out in 23-centimeter heels, but lost her balance and fell on the catwalk. The incident attracted the attention of the public, which only benefited both Naomi and Westwood herself.
It was Vivienne Westwood who brought elements of BDSM aesthetics to the podium – bondages and corsets, pins, chains. What was acceptable for an underground shop in Chelsea became a scandalous extravaganza for the catwalk, but this did not bother the outrageous self-taught designer. She provoked the audience with each of her collections, through clothes or elements of the show. For example, in the men’s autumn-winter 2003 collection, male models walked the runway in neat cashmere sweaters, under which there was a false chest.
Despite the intense interest in the press and the love of the world fashion community, Vivienne Westwood was not recognized for a long time in her homeland, the English establishment defiantly turned up her nose, the designer was even ridiculed on TV shows, where she was invited supposedly to discuss the collections. Nevertheless, at some point it became simply impossible to ignore Westwood, and under pressure from the press, the British Fashion Council awarded her the title of “Designer of the Year” twice in a row: in 1990 and 1991.
In the same period, she became a professor at the Vienna Academy of Art – despite the fact that she never received a professional art or design education. At 19On the 92nd, for services to British fashion and culture, Vivienne Westwood received the Order of the British Empire from the hands of Queen Elizabeth II, and since 2006 she has held the title of Lady Commander.
Once officially recognized, Vivienne Westwood began to use her fame as an opportunity for activism. Back in 2008, she took part in the campaign for nuclear disarmament and since then has regularly participated in environmental campaigns – she supported the fight against climate change and shale oil production, helped animal protection organizations, defiantly cut her hair to draw attention to the problem of global warming, and turned their fashion shows to rallies.
However, Westwood has always been a politically active person. She openly supported some parties (for example, the Labor Party and the Green Party of England and Wales) and produced clothes in support of habeas corpus – the rights to the immunity of detainees: these were T-shirts for newborns with the inscription “I am not a terrorist, please do not arrest me”, all proceeds from the sale of which went to the human rights organization Liberty.
Vivienne Westwood used her spring-summer 2019 collection campaign to talk about environmental issues and how to solve them (and yes, she encourages people to buy less clothes – even to the detriment of their own sales).
Westwood has been a countercultural figure against the British establishment throughout her career. In addition to provocative activist T-shirts, for example, in 1989 she posed for the April issue of Tatler, where, as an April Fool’s joke, she appeared in the image of Prime Minister Margaret Thatcher. For this, Vivien even put on a suit that Aquascutum made to order for Thatcher, but she did not take it. “Margaret Thatcher was a hypocrite. This is what I thought about when I posed for the shoot. The cover was placed on billboards at the height of London Fashion Week – it was a bomb! A week after the magazine’s release, Tatler editor-in-chief Emma Soames was fired. I never asked her if there was any connection between the two events, ”the designer recalled in her Get a Life: The Diaries of Vivienne Westwood diaries.