Grandmamas house of tiny town: Grandmamas House of Tiny Town – Clarksville, TN – Child Care Service

Grandmamas House of Tiny Town – Clarksville, TN – Child Care Service

Grandmamas House of Tiny Town is on Facebook. To connect with Grandmamas House of Tiny Town, log in or create an account.

Grandmamas House of Tiny Town is on Facebook. To connect with Grandmamas House of Tiny Town, log in or create an account.

Grandmamas House of Tiny Town

Child Care Service

Like

Liked

Grandmamas House of Tiny Town

Get Directions

303 people checked in here

+1 931-802-5455

Child Care Service

Open now

·

5:30 AM – 6 PM

Open now

·

5:30 AM – 6 PM

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

Sunday

5:30 AM – 6 PM

5:30 AM – 6 PM

5:30 AM – 6 PM

5:30 AM – 6 PM

5:30 AM – 6 PM

CLOSED

CLOSED

Page transparency

Facebook is showing information to help you better understand the purpose of a Page. See actions taken by the people who manage and post content.

See all

Bridgett Stanfill is feeling delighted with Marlee South and 8 others at Grandmamas House of Tiny Town.

November 16 at 8:38 AM · Clarksville, TN, United States ·

More options

For the first time since the pandemic, the administration and team staff are so excited to welcome back the annual Thanksgiving Day play and potluck dinner!

Our first show is tonight at 6 pm at our Tiny Town… More location! Tomorrow night the children at Hwy 149 celebration! We can’t wait to kick off the holiday season with our staff, families, and their children!

“Let the festivities begin!”

20 Likes

Grandmama’s House of Preschool and Child Development is feeling fantastic at Grandmamas House of Tiny Town.

November 16 at 2:24 PM · Clarksville, TN, United States ·

More options

For the first time since the pandemic, the administration and team staff are so excited to welcome back the annual Thanksgiving Day play and potluck dinner!

Our first show is tonight at 6 pm at our Tiny Town location! We can’t wait to kick off the holiday season with our staff, families, and their children!

Bridgett Stanfill is at Grandmamas House of Tiny Town.

July 5 at 12:35 PM · Clarksville, TN, United States ·

More options

Do you love children? Want to work with your child and other children? Do you want to make a difference in someone’s life?

Grandmama’s House of Tiny Town is hiring for a care provider position and an Assistant… More Director position. Apply in person today! Great Opportunities: competitive child care wages, Monday-Friday, no nights, no weekends, paid holidays, hiring and attendance bonuses, paid holidays, employee bonuses… It’s a great place to work! Family oriented! See Madison McMahan or Jennifer Haywood. GHT is located at 2015 Tiny Town Road… Stop in today!

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

14 Likes2 comments

Robin Merchant Dix is at Grandmamas House of Tiny Town.

October 8, 2021 at 6:53 AM · Clarksville, TN, United States ·

More options

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

1 Like1 comment

Robin Merchant Dix is at Grandmamas House of Tiny Town.

October 4, 2021 at 5:11 AM · Clarksville, TN, United States ·

More options

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

1 Like

Robin Merchant Dix is at Grandmamas House of Tiny Town.

August 6, 2021 at 5:45 AM · Clarksville, TN, United States ·

More options

Work flow

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

2 Likes

Robin Merchant Dix is at Grandmamas House of Tiny Town.

August 4, 2021 at 5:01 PM · Clarksville, TN, United States ·

More options

Meeting

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

1 comment

Robin Merchant Dix is at Grandmamas House of Tiny Town.

June 15, 2021 at 5:28 AM · Clarksville, TN, United States ·

More options

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

5 Likes1 comment

Robin Merchant Dix is at Grandmamas House of Tiny Town.

May 17, 2021 at 5:01 AM · Clarksville, TN, United States ·

More options

Work Flow

CHILD CARE SERVICE · CLARKSVILLE, TN, UNITED

Grandmamas House of Tiny Town

5 Likes2 comments

Robin Merchant Dix is feeling blessed at Grandmamas House of Tiny Town.

May 11, 2021 at 4:33 AM · Clarksville, TN, United States ·

More options

Good morning Work FlowGood morning Work Flow

8 Likes1 comment

Grandmama’s House @ Tiny Town Road

Write a Review

About the Provider

Description: GRANDMAMA’S HOUSE @ TINY TOWN ROAD is a Centers Care for 13 or more children in CLARKSVILLE TN, with a maximum capacity of 232 children. This child care center helps with children in the age range of 6 WK to 12 YR. The provider also participates in a subsidized child care program.

Additional Information: Wheelchair Accessible; Provider First Licensed on: 07/08/2009; 3 Star Child Care Center;

Program and Licensing Details

• License Number:
  61743
• Capacity:
  232
• Age Range:
  6 WK to 12 YR
• State Rating:
  3
• Enrolled in Subsidized Child Care Program:
  Yes
• Transportation:
  YES
• Current License Issue Date:
  Nov 01, 2014
• District Office:
  Tennessee Child Care Licensing
• District Office Phone:
  (931)645-0653 (Note: This is not the facility phone number.)
• Licensor:
  PEGGY PULLEY

Location Map

Inspection/Report History

Pinnacle Pointe Daycare Academy – Union City GA Child Care Learning Center

Where possible, ChildcareCenter provides inspection reports as a service to families. This information is deemed reliable,
but is not guaranteed. We encourage families to contact the daycare provider directly with any questions or concerns,
as the provider may have already addressed some or all issues. Reports can also be verified with your local daycare licensing office.

If you are a provider and you believe any information is incorrect, please contact us. We will research your concern and make corrections accordingly.

Advertisement

Reviews

Write a review about Grandmama’s House @ Tiny Town Road. Let other families know what’s great, or what could be improved.
Please read our brief review guidelines to make your review as helpful as possible.

Email address (will not be published):

Display name:

Which best describes your experience?:

Select from belowI have used this provider for more than 6 monthsI have used this provider for less than 6 monthsI have toured this provider’s facility, but have not used its servicesI am the ownerI am an employeeOther

Rating (1=poor, 5=excellent):

Select your Rating1 star2 star3 star4 star5 star

Review Policy:

ChildcareCenter.us does not actively screen or monitor user reviews, nor do we verify or edit content. Reviews reflect
only the opinion of the writer. We ask that users follow our
review guidelines. If you see a review that does not reflect these guidelines, you can email us. We will assess
the review and decide the appropriate next step. Please note – we will not remove a review simply because it is
negative. Providers are welcome to respond to parental reviews, however we ask that they identify themselves as
the provider.

Write a Review

Providers in ZIP Code 37042

KIDDIELAND CHILD CARE CENTER

PEACHERS MILL ACADEMY

BUTTER’S LOVE ACADEMY FOR EARLY LEARNING

CAROUSEL COTTAGE, C.D.C., INC.

CMCCAA HEAD START KENWOOD CENTER

YMCA FUN COMPANY @ BARKERS MILL

YMCA FUN COMPANY @ KENWOOD

YMCA FUN COMPANY @ WEST CREEK

BYRNS DARDEN ELEMENTARY PRE-K

GRANDMAMA’S HOUSE @ TINY TOWN ROAD

KENWOOD ELEMENTARY PRE-K

KIMMY’S CHRISTIAN ACADEMY

LITTLE HEROES ACADEMY

MINGLEWOOD ELEMENTARY PRE-K

PISGAH ELEMENTARY IDEA 619

RINGGOLD ELEMENTARY SCHOOL PRE-K

WEST CREEK ELEMENTARY PRE-K

YMCA FUN COMPANY @ RINGGOLD

Carousel Cottage Learning Center

Established Hands Ministries PJ Academy

KID’S STUFF & MORE C. D.C., LLC

LIBERTY ELEMENTARY SCHOOL PRE K

LITTLE LEARNERS UNIVERSITY

Little Stars Daycare

Miles of Smiles Too

NEW PROVIDENCE UNITED METHODIST, CDC

The Spotlight Childcare Center and

YMCA Fun Company @ Liberty Elementary

New Beginning CDC

P. M. A. CHILD CARE CENTER

BARKERS MILL ELEMENTARY PRE K

Creative Minds Childcare

TABERNACLE CHRISTIAN SCHOOL – SACC

TABERNACLE CHRISTIAN SCHOOL PRE-K

Read “Sixty Stories” – Barthelme Donald – Page 22

“It’s ironic,” Barbara said knowingly.

“Yes,” Edgar waved him off impatiently, clearly ready to explode.

“But what about the middle?”

“I don’t have a middle!” – thundered Edgar.

“Something must happen between them, between Inga and this one like him,” Barbara continued, “Otherwise there won’t be a story.” As you were a whore, so you remained, thought Edgar, looking at his wife. Just dressed up as a housewife. But the daughter is just lovely, no worse than those that are born in successful marriages.

Meanwhile, Barbara began to tell a story about one of her girlfriends. This girl was walking with one man and flew up. This guy went to Seville to see if hell is really a city that looks a lot like her

[9], but the girl stayed in Chicago and had a miscarriage. Then she flew after him to sort things out with him, and they walked through the streets, went into all sorts of old churches and all that. And in the very first church they went into, right in the altar stood a tiny, tiny white coffin, all covered with flowers.

“Banalism,” Edgar declared authoritatively.

Barbara thought about it, trying to remember another story.

“I have to get this certificate!” Edgar shouted in a voice trembling with despair.

“I don’t think you can pass the State Writing Examination with what you wrote here.” This verdict was given to Barbara with great difficulty: even though Edgar was her husband, she still did not want to cause him unnecessary pain.

But she had to tell the truth. “Without a middle.”

“I wouldn’t be great anyway, even with a high school diploma,” said Edgar.

“Your views would be known. You would become something.”

At that moment, son manque* appeared on the threshold. The Son Manque was under eight feet tall and wore a serape of two hundred transistorized receivers, each turned on and tuned to its own station. Just by looking at it, you would begin to hear transmissions from Portland and Nogales (Mexican).

“Is there grass in this house?”

Barbara took out the herb, which had been stored in a small red-yellow metal cylinder, in which Eastman Kodak films are sent for processing.

Edgar thought about how to scold this exorbitantly huge son, hanging over him like a screaming skyscraper. And he couldn’t think of anything. Thinking about anything was beyond his powers. I sincerely sympathize with him. I am also facing such problems. The endings slip away somewhere, you look for the middle, you look for it and you can’t find it, but the hardest thing is to start, start, start.

DO YOU SEE THE MOON?

I know you think I’m wasting my time. And you think, and you speak, and with all your appearance you show. And I’m doing extremely important research on lunar hostility. And you won’t have to leave the warm, safe capsule. And plunge into the threatening world of the moon.

I still have my yellow flower, it’s perfectly preserved.

My methods may seem somewhat unusual. For the most part, I work with folded paper airplanes, for now. But the paper must be folded very precisely, as it should. Tons of calculations and edge care.

Show me someone who cares about edges and I’ll show you a born winner. Cardinal I. is of the same opinion. Columbus himself was worried about them, Admiral of the Ocean. Only he was silent about it.

The sun warmed up the wire-mesh veranda so much that you can’t help but think of your grandmother’s house in Tampa. The same reddish green sofa, the same pillows, upholstered in sun-bleached colored canvas. At night, if you squint, the grid draws the moon in a cage. The Sea of ​​Tranquility occupies squares 47 through 108.

Do you see the moon? She hates us.

My methods are unpretentious, but remember Newton with an apple. How did Rutherford get started? He didn’t even have a decently heated laboratory. And then there’s this security check thing – I’m waiting for government agents. Someone told them that she was doubtful. And that’s right.

I suffer from a terrible mental illness, frivolity. It’s not contagious, so don’t worry.

Did you notice the wall? I cling to her all sorts of things, souvenirs. There is a red hat, ant farm care instructions

[10]. And a traffic ticket ticket issued on Saint’s Day (what saint? I don’t remember) in 1954 on the outskirts of a small prosperous Ohio town (what town? I don’t remember) to a police officer who asked me what I was doing. . I said that I was writing all sorts of nonsense for the president of the university, and so it was then.

You see how far I have come. Lunar hostility research, it’s not for everyone.

I console myself with the hope that these… souvenirs… one day will merge, unite… harmonize – perhaps best of all – into something meaningful. What I need? A work of art, nothing less. Yes, of course, this is crazy naivety, but I dreamed of becoming an artist, I think they get away with terrible things, and here is Mr. X from The Times, he also thinks the same. You can’t imagine how much I envy them. They will take a Baby Ruth wrapper out of the dustbin, stick it to the canvas ( is the only right place, well, how could it be without it) and on you, people immediately run up and shout: “My God, a real Baby Ruth wrapper, what could be the real of this!” A deadly metaphysical advantage. Having your own ambitions, you inevitably begin to hate them.

Sylvia gave the ant instructions. I got the red hat from Cardinal I. He is my friend, in a way.

I wanted to be an artist when I was young. But he could not bear to stretch the canvas. Works on nails. And that’s the first thing people look at.

Fragments, only this form inspires confidence in me.

Frivolous or not, I’m… just full of sanity. I measure myself according to Russians, this is fair. I have a newspaper clipping here marked “Moscow.” Four young men were put on trial for breaking a swan’s neck. From boredom. Swan’s name was Borka. The court issued the following sentences: Tsarev, metal worker, previous conviction for embezzlement of socialist property, four years in a strict regime labor camp. Roslavtsev, electrician, previous conviction for car theft (I really wanted to ride), three years and four months in a general regime camp. Tatyana Voblikova (only nineteen years old, and also a member of the Komsomol), a technician, a year and a half in a labor camp, the severity of the regime is not indicated. Anna G. Kiryushina, technical worker, withholding twenty percent of salary for one year. Anna said that it was not necessary to wring the swan’s neck, but not too insistently, then she helped to stuff the carcass into the bag.

The tenderloin hangs on my wall. I re-read it from time to time, extracting the moral. It’s not good to wring swans’ necks.

My brother is a very famous pianist…he has no nails at all. Terrible, I don’t want to watch. He plays under a pseudonym. And he tunes his piano in a rather unusual way, out of tune, as some say. And he performs ragas of his own composition. Night raga performed at noon can cause delusion, have you heard that? This is something unimaginable.

And now he, Paul, wanted to be untouchable. Such is his concept of a modern career. But then this girl appeared and touched him (not even touched, but slapped, but it’s a long story). And he mixed with us, the rest, in all this mess.

On the other hand, my father settled down in life quite comfortably, this is not a reproach or a mockery. He makes flags and banners and stuff like that (sometimes he can make my shirt in between). The question of whether to allow my father to drink from a public well simply does not arise. He is a member of the Well Committee and decides for himself who is worthy to scoop up with a ladle and who is not. This is not a rebuke or a mockery. In our time, thanks to the numerous newborn states, he has something to apply his creative abilities to. Green symbolizes the veld feeding the graceful Grant’s gazelle, and white symbolizes the purity of revolutionary aspirations, red symbolizes blood, everything is clear here. This is not a rebuke or a mockery. What they want is what they get.

Levitan’s Masterpieces

The works of Isaac Levitan have been familiar to us since childhood. “March”, “Golden Autumn”, “Above Eternal Peace” have become classics of Russian painting, in fact, textbook works. A story about these works and the history of their creation will help you correctly place the accents in the artist’s work and not miss important details when viewing the paintings with your own eyes.

“Autumn day. Sokolniki, 1879

This picture was painted at a very difficult time for the artist: in 1879, after the assassination attempt on Alexander II, the emperor issued a decree forbidding Jews to live in the “originally Russian capital” – Moscow. The young painter (Levitan was then 19 years old) was forced to leave his beloved city in a short time. However, this circumstance did not affect his work in any way: he worked hard and in 1880 showed the painting “Autumn Day. Sokolniki”, which became the first recognized masterpiece of the painter. The idea of ​​including a lonely female figure in the park landscape may have been borrowed from the paintings of Levitan’s teacher, Vasily Polenov, “Overgrown Pond” and “Grandmother’s Garden”. These works were familiar to Levitan from exhibitions of Wanderers.

It is interesting that two artists actually worked on this picture: Levitan painted the landscape, and Nikolai Chekhov (the writer’s brother), whom Levitan knew from the School of Painting, Sculpture and Architecture, painted the figure of a girl.

The expressive figure of a girl in an autumn park focuses the viewer’s gaze on her and raises a number of questions. Who is she? Why was she alone in the park?.. The artist painted the picture with large strokes, which creates the impression of an expressive, as if hurried movement of a young lady. Nature emphasizes the mood of the heroine – many shades of yellow, brown, dark green and gray shades create an image of expressive autumn, a moment of transitional state of nature.

“Evening. Golden Reach, 1889

The image of a tiny town on the Volga – Plyos – is one of the main themes of Levitan’s work. During the Mongol invasion, the city was a strategically significant fortress, and after that it became an important trading center. But with the advent of the railway, it lost its significance as a port on the Volga and turned into a provincial town that retained the charm of a bygone era.

Plyos won the heart of Levitan, and he returned here again and again. Other artists also recognized the picturesqueness of these places, but they themselves agreed that they could not convey the beauty of these places more accurately than Levitan.

In the autumn of 1889, Levitan returned from Plyos with many sketches and a couple of dozen completed paintings. An interesting fact is that in Plyos it is impossible to find the point from which the picture was painted. This is one of the features of the artist’s creative method. To achieve the most expressive image, Levitan often avoided reproducing a painting from nature. He painted sketches in the open air, and then, analyzing them, worked in the studio and created a collective image of the corners of nature he saw.

Part of the white stone house, which is depicted on the right side of the painting “Evening. Golden Reach ”, Levitan and his beloved Sofya Kuvshinnikova filmed for some time. Today, a department of the Plyossky State Historical and Art Museum-Reserve is located here.

“Vladimirka”, 1892

The idea for this painting was born by Levitan when he spent the summer with Sofia Kuvshinnikova at the Boldino estate. One day, returning from a hunt, they (absolutely by chance) went to the Vladimirsky tract – the road that for several centuries was used to send convicts to hard labor to Siberia (in 1890th they were sent by rail).

Kuvshinnikova recalled that, realizing the history of this place, they sat down on the side of the road and spoke with Levitan about how many tears of sorrow were shed here. This is how she described the view that opened before them in her memoirs: “A long strip of road ran in a whitening strip among the copse into the blue distance. In the distance, two figures of praying maidens could be seen on it, and an old rickety cabbage roll with an icon erased by rains spoke of a long forgotten antiquity.

The next day, Levitan returned to this place with a large canvas and painted a picture from nature in a few hours. In this deep social work, the artist managed to recreate the image of expressive sadness through nature. Everything is sad here: the sky, the clouds, the trees, the road. Every detail of the picture reflects Levitan’s personal lyrical and sentimental feeling, which he experienced in this place.

This is the only social landscape in the work of Isaac Levitan. For Anton Chekhov, a close friend of the artist, Sakhalin Island became such a social work. It is symbolic that friends were concerned about similar topics. The picture “Vladimirka” Levitan donated to Pavel Tretyakov, whom he considered “a great citizen.”

Above Eternal Rest, 1894

To understand Levitan, one must understand his work “On Eternal Peace.” In his letter to Pavel Tretyakov, the painter spoke of his work in the following way: “I am so incredibly happy with the realization that my last work will again come to you, that since yesterday I have been in some kind of ecstasy. And this, in fact, is surprising, since you have enough of my things, but that this last one came to you touches me so much because I am all in it, with all my psyche, with all my content, and I am to tears. it would hurt if she missed your colossal meeting.”

Levitan’s “personality content” is, among other things, constant emotional anguish, frequent depression, suicide attempts, and at the same time an amazing thirst for life – love for her, for women, for friends, for everything that exists.

“Above Eternal Peace” is a picture from the “whole life in one frame” series. This is the feeling of flying over the boundless earth under a heavy sky. And it is in this gap between heaven and earth that a person’s life passes with all the passions, hardships and the search for answers to important questions. On the edge of the cliff you can see a church and a cemetery, as if symbolizing the insignificance of the moment before eternity.

“Eternity, formidable eternity, in which generations have drowned and more will drown … What horror, what fear!” – this is what Levitan said about his work.

The picture combines several sketches made in different places: on Lake Udomlya and in Plyos.

“March”, 1895

The uniqueness of the painting “March” is in its mood – sunny, joyful and optimistic. Levitan has few paintings of similar emotional content. This mood is associated with a special stage in the life of the artist: at that time he began an affair with Anna Turchaninova, the last muse of the painter, who was with him until his death. The picture was painted in the Turchaninovs’ estate – Gorki, where the artist often came to visit and where a workshop was built especially for him.

Winter sunny landscapes before the advent of “March” are a rare occurrence in painting. We can say that Isaac Ilyich inspired his followers to create light and cheerful landscapes of the Russian winter with this picture. The example of Levitan was followed by the artists Yuon and Grabar, whose works on a similar motif also received wide recognition.

The artist, in fact, discovered Russian impressionism with this work. For the first time in a picture, its overall impression and color content becomes more important, and not the elaboration of details. It is also very valuable that Levitan did not seek to imitate the French Impressionists either in subjects or in approaches, but continued precisely the Russian painting tradition, developing color.

However, some researchers believe that the very plot of the picture – the image of a harnessed horse near the house – Levitan borrowed from Konstantin Korovin. His work “In Winter” was created a year earlier, but the mood of the picture is completely different – minor.

Golden Autumn, 1895

The picture is similar in mood to the work “March” and was also written during the period of Levitan’s spiritual upsurge. Sketches for this painting were created at the Turchaninov estate, and it was already completed in Moscow. It is believed that the painting depicts the Syezha River. The fact that the picture was already painted far from nature testifies to the artist’s amazing visual memory, thanks to which he recreates a holistic, “living” image.

The artist chose a sunny autumn day for the painting. On the one hand, the withering of the forest is already felt, the coolness of the water in the river is felt, but nature, enjoying the last days of its bright autumn beauty, appears before us in the form of an elegant beauty in a golden robe.

Tip: in “Golden Autumn” the artist experiments with technique – the work is written in large, voluminous, almost embossed strokes. The maximum perception of the picture is achieved if you move a few meters away from it.

For reference

Since October 4, 2018, the Jewish Museum and Tolerance Center with the support of VTB has been open to the public for visiting an unusual exhibition – “Isaac Levitan and Author’s Cinematography”. More than 30 paintings by the landscape genius from the State Tretyakov Gallery, the Russian Museum, the Israel Museum (Jerusalem), the Plessky Museum-Reserve and other museums are compared with recognizable shots from the films of Eisenstein and Dovzhenko, Tarkovsky and Sokurov, Konchalovsky and Balayan, Solovyov and Zvyagintsev.