Child care rome ny: Best Daycare in Rome, NY
Best Daycare in Rome, NY
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Rebecca France’s Family WeeCare
Daycare in
Rome, NY
(315) 325-8982
Welcome to Rebecca France’s Family WeeCare! We offer childcare for families looking to provide their child with a loving and safe environmen… Read More
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7:30 am – 5:00 pm
Gingerbread House Daycare
Daycare in
Rome, NY
(972) 544-6967
Gingerbread House Daycare provides childcare for families living in the Rome area. Children engage in play-based, educational activities aim… Read More
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Henao, Marina Daycare
Daycare in
Rome, NY
(323) 918-5692
Henao, Marina provides childcare for families living in the Rome area. Children engage in play-based, educational activities aimed at helpin… Read More
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Dainotto, Francesca Daycare
Daycare in
Rome, NY
(216) 259-8440
Dainotto, Francesca is a home daycare that offers childcare programs for nearby families in Rome.
The director has programs for children as … Read More
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Mcgowan, Tina Daycare
Daycare in
Rome, NY
(704) 859-2575
Mcgowan, Tina offers safe, loving childcare in the Rome area. Kids learn through curriculum-based, educational activities. The facility is a… Read More
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Something New Daycare
Daycare in
Rome, NY
(704) 859-2575
Something New Daycare provides childcare for families living in the Rome area.
Children engage in play-based, educational activities aimed a… Read More
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MH
Friends Forever Group Daycare
Daycare in
Rome, NY
(315) 240-9862
Friends Forever Group Daycare provides childcare for families living in the Rome area. Children engage in play-based, educational activities… Read More
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TM
Little Brook Daycare LLC
Daycare in
Rome, NY
(323) 918-5692
Little Brook Daycare LLC is a home daycare that offers childcare programs for nearby families in Rome.
With over 15 years of experience, t… Read More
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Little Folks Daycare
Daycare in
Rome, NY
(315) 725-6511
Little Folks Daycare provides childcare for families living in the Rome area. Children engage in play-based, educational activities aimed at… Read More
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LM
Loving Hands Daycare
Daycare in
Rome, NY
(216) 259-8440
Loving Hands Daycare provides childcare for families living in the Rome area.
Children engage in play-based, educational activities aimed at… Read More
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Daycares in Rome NY – CareLuLu
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Other Daycares near Rome NY
Cottage Hill Daycare, Rome
Military family for 24 years.
Experienced as home daycare and daycare centers for military. Nurse for 25 years. Experience in many areas to include…
Dainotto, Francesca
Dainotto, Francesca is a licensed family child care provider in Rome, NY. Dainotto, Francesca cares for children as young as 6 weeks through 12 years…
Saenger, Lisa
Saenger, Lisa is a licensed family child care provider in Rome, NY. Saenger, Lisa cares for children as young as 6 weeks through 12 years old. This…
Griffo, Maria
Griffo, Maria is a licensed family child care provider in Rome, NY. Griffo, Maria cares for children as young as 6 weeks through 12 years old. This…
Little Folks Daycare
Little Folks Daycare is a licensed family child care provider in Rome, NY. Little Folks Daycare cares for children as young as 6 weeks through 12…
Vega, Heather
Vega, Heather is a licensed family child care provider in Rome, NY.
Vega, Heather cares for children as young as 6 weeks through 12 years old. This…
Little Hearts Daycare
Little Hearts Daycare is a licensed family child care provider in Rome, NY. Little Hearts Daycare cares for children as young as 6 weeks through 12…
Elizabeth Rienzo Wittle Lizzie Childcare
Elizabeth Rienzo Wittle Lizzie Childcare is a licensed family child care provider in Rome, NY. Elizabeth Rienzo Wittle Lizzie Childcare cares for…
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Recent Reviews for in Rome NY
Occhipinti, Eleonora
“Brick corners not covered by his first day, front door left open with bag of trash in front step for me to step over when I arrived to pick him up. TV left on all day long. No”
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Frequently Asked Questions
How many daycares are there in Rome?
There are 43 daycares in Rome, based on CareLuLu data. This includes 37 home-based programs and 6 centers.
How much does daycare cost in Rome?
The cost of daycare in Rome is $925 per month. This is the average price for full-time, based on CareLuLu data, including homes and centers.
How many daycares accept infants in Rome?
Based on CareLuLu data, 36 daycares care for infants (as well as toddlers). This includes 34 home-based programs and 2 centers.
How many daycares offer part-time care or drop-in care in Rome?
Based on CareLuLu data, 3 daycares offer part-time care or drop-in care in Rome.
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Secondary schools in Rome for Russian children aged 11, 12, 13, 14, 15, 16, 17, 18 years old
Prestigious secondary schools in Rome for Russian children from 11 to 18 years old – education system
Both in Italy and and in Rome, secondary school education is divided into 4 stages:
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Nursery
Babies who have reached 3 years of age are admitted to education.
A visit to a nursery in Rome is not mandatory. As part of the stay, care for the kids and their upbringing is provided, at the same time their development takes place.
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Kindergarten
Children from 3 to 6 years of age are accepted for education. At the same time, the parents of the child independently decide on admission to kindergarten in Rome. That is, training is not mandatory. The duration of training is 3 years, teaching is conducted according to the developed educational program. On the territory of Rome, public, private, as well as educational institutions that were created by a religious organization successfully operate.
The target audience for this stage are foreign children and adolescents aged 6 to 13 years. This educational level includes two mandatory levels, namely:
To pass to the second stage of education, it is not required to pass state exams.
The target audience for training at this stage of education are foreign and Russian teenagers aged 14 to 19 years.
Upon graduation, graduates are required to pass the state final exam. The results of this exam are necessary for admission to top universities abroad and in the future for promising employment.
At the end of the first cycle of study, the student is given the opportunity to choose a prestigious school, within the walls of which the emphasis is on studying a certain list of subjects. In particular, it can be an art school, an art school, a technical school in Rome.
In the case of studying at the leading lyceum in Rome, students are taught theoretical and abstract disciplines. Students of Italian technical schools study academic disciplines that are related to practical professional activities. Entering a prestigious vocational school in Rome, the student receives an intermediate qualification. At the same time, the duration of training is 3 years, at the end of the training, a final exam is provided.
The Italian educational system – the process of organizing education
The duration of compulsory secondary education in Italy is 10 years, that is, at the beginning, it lasts for 5 years in elementary school, after which students spend 3 years in secondary school, and teenagers receive 2 more years professional specialization within the framework of the second stage of education.
Thus, foreign teenagers from 6 to 16 years old receive an obligatory elite secondary education in the best schools in Rome.
After completing the compulsory secondary education stage, students are given the opportunity to obtain a diploma or vocational qualification. Thus, when a teenager reaches the age of 16, he/she has several options for further education:
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Study at a second level higher school
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Take training in vocational education courses – the duration of study is at least 3 years
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To get a job, while the employment contract must contain a clause on mandatory attendance at educational events.
The duration of the academic year in the elite secondary schools in Rome is approximately 9 months, that is, it starts in mid-September and ends in mid-June. As for the Italian holidays, the students rest for 2 weeks at Christmas, and about one week at Easter.
The academic year in ranking secondary schools in Rome is divided into 2 semesters.
So, directly in January and June, it is planned to evaluate the progress and results achieved by each student individually. The grades obtained are recorded in the school report card, which is sent to parents for review.
In case of receiving unsatisfactory grades in 1-3 academic subjects, while, according to teachers, the student has every opportunity to catch up with the program, he will be transferred to the next grade. At the same time, this transfer is made subject to the rapid repayment of academic debt. Zeroing of academic debt will occur in case of attending additional courses and successfully passing a credit exam in a certain discipline during the next academic year.
By participating in various leisure school activities, a foreign teenager receives additional benefits to educational loans. Thus, these received educational loans are summed up with the grade for the state exam, which affects the formation of the final result in the matriculation certificate.
Admission procedure for ranked secondary schools in Rome
As part of admission to the elite schools in Rome, it is required to prepare an application for admission, at the same time provide a student passport, a report card with school grades for the last 2-3 years, as well as a medical certificate.
It is worth noting that in relation to foreign teenagers, identical requirements are imposed as for the children of Italians. Only foreign teenagers on an additional basis are required to take a test to determine the level of knowledge and language proficiency.
How Roman doctors saved Jews during the Holocaust
While saving Jews during World War II, three Italian doctors invented a fake disease called “Syndrome K”. “Infected patients” were placed in separate rooms of the main Catholic hospital in Rome, where the Nazis did not dare to go for fear of becoming infected.
This real story, similar to the plot of a Hollywood action movie, formed the basis of a new documentary film “Syndrome K” (Syndrome K). It’s made available in the US and other countries these days on digital and VOD platforms, having previously made a successful festival tour.
“Syndrome K” is the brainchild of American director and composer Stephen Edwards, who involved highly professional colleagues playwright Gregory Ballard, director Greg Hunter and others in its implementation.
The film tells how, having entered Rome in the autumn of 1943 after the fall of Mussolini, the German Nazis began to deport Jews from the city ghetto to Auschwitz (Auschwitz) and other death camps. The deportation was led by the head of the Gestapo in Rome, Herbert Kappler. In his “honor” a fictional disease was named with the letter K.
A daring and dangerous rescue scheme was devised by three staff doctors at Rome’s main Catholic hospital, Fatebenefratelli, located on the western side of the Tiber Island. These are Vittorio Sacerdoti, Giovanni Borromeo and Adriano Ossicini. Sakerdoti was a Jew, which he hid, the other two were Catholics.
Fatebenefratelli Hospital in Rome. Photo: JTA-“Syndrome K”-Freestyle Digital Media
Having allocated separate wards for the “infected” and declaring strict quarantine, the doctors explained to the Nazis that the previously unknown disease was very dangerous and easily transmitted by airborne droplets. The doctors decided on this risky step without informing the administration of the Vatican and Pope Pius XII, whose position on the Nazis is considered by many historians to be conciliatory, and he himself is sometimes called “Hitler’s Pope.
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Frightened SS men did not even dare to cross the threshold of the wards with patients with “K syndrome”. So the Jewish “patients” held out in safety until June 1944, when the Americans liberated Rome. According to the data given by Stephen Edwards in the film, 80 percent. Italian Jews survived the Holocaust. The exact number of Jews rescued in the Fatebenefratelli hospital is unknown, but according to various sources, there could be dozens or even hundreds.
Stephen Edwards is a renowned film composer. He has received recognition as a co-composer of music for the films Nomadland, Dallas Buyer’s Club and many others. The first documentary he made as a director, Requiem for My Mother, is dedicated to his mother, Rosalie Edwards, in whose memory he wrote a piece of music.
Syndrome K was narrated by actor Ray Liotta, who recently died at the age of 67 in the Dominican Republic, where he was filming.
Director and composer Steven Edwards answered the questions of the correspondent of the Voice of America Russian service on the Zoom service.
Oleg Sulkin: An absolutely fantastic story! How did it happen that only after many years she received her embodiment in the cinema?
Stephen Edwards: I had exactly the same reaction. I found out about this story by accident while browsing Facebook. And I began to flip through the lists of films on Netflix, Hulu, Amazon and other streaming services. I was amazed and excited that not a single film on this subject was made. I love Rome, I have, along with the American, Italian citizenship. I have not found anything filmed on this subject. And it seemed to pierce me: this grandiose story will be my future film. “Syndrome K” could be the only terrible disease in history that actually saved lives – simply by the very fact that it did not exist in nature.
О.С.: There is a funny clip on your site – you are rehearsing the soundtrack of this film with a large orchestra and, to the laughter of the orchestra, you admit that the director ordered you the music, that is, you yourself.
SE: Well, yes, if I didn’t like the music as a director, he could fire me as a composer. We laughed a lot about this.
OS: The first thing you did was to inquire about these three doctors?
S.E.: Yes. The chances of catching them alive were, of course, extremely small. So much time has passed! Two doctors, Giovanni Borromeo and Vittorio Sacradoti, were no longer alive. But we found Dr. Adriano Ossicini, which is already fantastic. He was 98 at the time! And, imagine – at that age he retained a sound mind and an excellent memory. After that, I contacted an Italian journalist, Ariela Piatelli (she is an Italian Jew), and asked to interview him. Dr. Ossicini spoke only Italian. There was not a minute to lose, and the producer and I bought tickets for the next plane to Rome. Still, a very respectable age. Yes, and the children of his already deceased colleagues were about 80 years old or more, like the children of the saved Jews, the “patients” of the Catholic hospital.
I found two brothers who were hospital patients as children, and Pietro Borromeo, the son of Giovanni Borromeo. Ossicini and Pietro Borromeo died within a year of our meeting.
In the hospital room. Photo: JTA-“Syndrome K”-Freestyle Digital Media
O.S.: We see an old chronicle in the film, we hear the memories of the participants in those events. Can you describe the work process?
SE: The most similar thing is as if I were writing a doctoral dissertation in history. After all, the events are 75 years or more away from us. Very few photographs and newsreels from the war have survived. The Italians filmed very little, fearing Nazi reprisals. We found important material in the Steven Spielberg Shoah Foundation, which contains approximately 55,000 video testimonies of former Holocaust survivors (the foundation materials are stored at the University of Southern California). There we found a videotape of an interview with Dr. Vittorio Sacradoti, one of this heroic trio of doctors.
Without this interview, we would hardly have been able to make the film. This is a unique, extremely valuable material. Other than this entry, there is no visual evidence of this story. Sakradoti died around 2000, he had no family, he was not married, probably left no children. We do not know where he is buried. In this recording, when Sakradoti, having completed his memoirs, gets up from the sofa and unfastens the microphone from his lapel, the next witness takes his place. And do you know who it is? This woman is his cousin, whom he then, in the 43rd, saved the life of. You can’t imagine that.
O.S.: Did you follow the script by arranging the sequence of events? After all, something new certainly arose in the course of work and the collection of material.
SE: Yes, things were changing quickly and our screenwriter Gregory Ballard was making adjustments to the script accordingly. He wrote the voice-over, which was read by our narrator Ray Liotta.
I worked in many archives, including “Luce”, “Pathe”, German archives, where I searched for photographs, documents, chronicles. Then we did retro dramatizations done by Greg Hunter. We also used clips from several old films, including Roberto Rossellini’s famous film “Rome – Open City”. And then it was necessary to compress all this heterogeneous material in 1 hour and 20 minutes. Actually, the story was built by the story itself, and we followed it, step by step. German Nazis occupy Rome. The Americans land in the south and move from Sicily to Salerno. October 16 19For 43 years, Herbert Kappler sends more than a thousand Jews from the Roman ghetto to Auschwitz. Many Jews try to take refuge in the Fatebenefratelli hospital, which is located nearby, opposite the ghetto, on the other side of the Tiber. OS: Your narrator, Ray Liotta, recently died. His departure, of course, gave everything a sad shade. How did you work with Ray?
SE: It’s a pity that he left us.
I remember the first time I sent him an e-mail, where I wrote: hi Ray, we once crossed paths a couple of times, and my daughter Bella knows your daughter Carsen. They went to school together. We’re making a film about the rescue of Jews in Rome during the war, we want to get you as a narrator. Ray then told me that he had read the email in Toronto during some screening and asked Carsen, who was sitting next to me, if she knew a certain Bella. She was delighted, well, of course, I know, Bella is a cool girl, dad, be sure to agree! So we sit with Greg (Ballard) and Greg (Hunter) waiting for Ray and watching the first 30 minutes of GoodFellas with his voiceover. Ray’s narration I consider to be one of the best in the world. And then there was Ray. Terribly charming, pronouncing difficult Italian and German names brilliantly, well, and swearing from time to time, so that we rolled with laughter. Super professional! We recorded his voice-over in just three hours. He, like a guiding star, leads us through the film.
O.S.: What was the main thing for you in this story?
SE: The incredible courage of these three doctors. They knew they were risking their lives. And not only their own – the lives of their families, medical staff and Jewish “patients”. There is a famous story about how the Nazis shot ten Italian mothers on the Tiber for stealing flour for their starving children. Cases of Nazi brutality in Italy and throughout Europe are numerous and well documented.
O.S.: What is also amazing is that out of the many people involved in this grandiose deception, fortunately, not a single informer, traitor was found.
SE: We have not found a single document, not a single direct or indirect evidence in this regard. It is known that death was threatened for harboring Jews. The Germans encouraged informers and cash prizes. But the doctors and staff of the hospital showed the best human qualities.
OS: How important is it today to remember the Holocaust?
SE: When we first started filming our film, an article came out that the new generation actually knew nothing about the Holocaust, which claimed the lives of six million Jews.
It literally pushed me. I’m sure the fake virus story is going to grab attention. It is from such special cases as ours or as the story of the industrialist Oskar Schindler, who saved more than a thousand Polish Jews, that the panorama of the Holocaust is formed, in which there were such individual manifestations of heroism and nobility. If our film makes someone learn more about the Holocaust, I consider my mission accomplished.
OS: How did working on such incredible material affect you as a person?
SE: This work became a turning point in my life. Sign of fate? Yes, probably. There is something deeply symbolic and even ironic in the fact that I made a film about a fake epidemic in the midst of a real pandemic. In April 2018, when we interviewed eyewitnesses, I had no idea what was in store for us. We finished filming and the covid-19 pandemic hit. I began to think: what is the chance of making a film about a fake virus in the midst of a real virus? This is fate, providence.