What is family heritage mean: How to Celebrate Your Family Heritage (with Pictures)

What is Heritage?

The Importance of Knowing Your Heritage

For thousands of years, societies have endeavored to preserve their history. They have used various methods based on what was available at the time. For instance, Egyptians documented their history through the use of complex architecture built to last for centuries. Manuscripts were copied in great detail by Jewish scribes for the same purpose. The Irish had bards that were like professional poets for the purpose of memorizing historical events. These are just a few examples of how societies have understood the importance of documenting their heritage.

One of the reasons why generations of people document their history is because they want to ensure the stories told are accurately preserved. They want to make sure the knowledge of their culture is understood by the generations to come. There are a lot of experiences and an abundance of wisdom that can be lost as time passes if it’s not recorded. When that information is documented, the reader, viewer, or listener has access to historical information that can be of significant value in the present time.

When you consider the kind of information that’s been documented for centuries, you can see the value across many different subjects. For instance, there is comprehensive information in the areas of law, foreign policy, psychology, economics, geography, linguistics, sociology, medicine, religion and so much more. By having a historical perspective of these subjects, you can significantly enhance your understanding of life.

When it comes to seeking and obtaining information about your own heritage, it’s just as important. It gives you a chance to understand traditions that are specific to your ancestors. You can gain a historical perspective of your family and culture, including details about your heritage that are unique. Some of the information gathered will be based on environmental factors and others on genetic factors.

Learning about your history and heritage can help you understand how you became who you are. In fact, having a historical perspective of your heritage can serve as a guidepost and it often provides information about what you can expect in the future. This certainly does not mean that people don’t have free will. While you can make decisions to guide the outcome of your future, you cannot assume that your heritage will not play a role in what happens to you and others.

There is a connection between the past and the future. The combination of the decisions you make on a daily basis and events that have occurred in the past will have an effect on what happens in the future. To a large degree, many of the decisions that are made today are done based on knowledge of what has happened in the past.

Heritage is comprised on many factors from which you cannot separate yourself, such as genetics and events. By understanding the events of the past, it can give you the backdrop that you need to better understand yourself and where you came from. People often spend time in young adulthood trying to understand who they are. Knowing about your heritage is in fact a great way to find yourself. What you learn can help you embrace positive characteristics and improve upon others.

It’s important to see your heritage as an inheritance that has great value. In fact, it’s unfortunate to have a rich heritage and not know about it, especially since it’s part of who you are. Your heritage is not just something that you should know and understand, but it’s also something that should be shared with your children and grandchildren. Knowing your heritage can contribute to the building of character and enhance your life.

Family Heritage – Journal Hall

Lydia
Antonova – Member of the Committee of the Council
Federation for Science, Education and Culture; representative of the legislature
(representative) body of state power of the Moscow region.

Answering on my behalf to the question: “What is the senator reading?”, I could
to name Alexander Pushkin and his “Peasant Young Lady”, Veniamin Kaverin and his
“Two Captains”, Leo Tolstoy and his “Anna Karenina”, as well as the stories of Jack
London or a play by Carlo Goldoni. You might notice that I like to read books on
French, or admit that I am reading Agatha Christie’s detective stories.
All this would instantly reveal my literary tastes.

However, I prefer to talk about a little-known manuscript that produced
an extraordinary impression on me. She probably does not have outstanding
literary merit, but at the same time it has historical value. It’s about
about the notes of my great-great-great-grandfather recently discovered in the family archive,
entitled “Biography of the freelance artist Ivan
Matveyevich Malyshev, written by himself. I think few families are happy
find the manuscript of his predecessor, we are lucky in this sense. Not less than
it is also pleasant that the memoirs turned out to be of interest not only to the family, but also to others
people, especially professionals. Ivan Matveevich Malyshev was famous
icon painter of the second half of the 19th century and served in the Trinity-Sergius Lavra. With his
The name is associated with the revival of the icon painting school in the monastery.

The story of a man from an extremely poor peasant family whose work
subsequently dispersed throughout the empire, can be seen as a history
success. However, much more important than personal success is the contribution of Ivan Malyshev to the formation
monastery painting school and its role in the development of the “Greek style” in
icon painting.

Plunging into the artist’s manuscript (which, unfortunately, has come down to us in an incomplete
sight), you realize (and sometimes, it seems, you feel) how hard it was for the peasants
and how much work it took to become a master. Born at the beginning of the 19th century,
Ivan Malyshev grew up in the family of a staff member of the Lavra,
which will be associated with the entire life of the artist. Detailed and bright, but without
murmuring, he describes the hungry childhood, the squalid housing in which the family lived,
everyday hard work in the household. One of the monks taught Vanya to read and write,
then the boy became a cell-attendant, and later wanted to become a shoemaker, but was
assigned to a painting workshop. By that time, the young man had already turned
sixteen, he was afraid that at that age he would not be able to learn to write.
That is why, apparently, he worked so diligently, mastering charcoal drawing, and
then oil paints. This feature – amazing diligence – distinguished Ivan
Malyshev throughout his life. Even having reached prosperity and having
the opportunity to do what you like, the artist invariably went to
workshop and worked. And from his children he demanded that they work hard and
valued work.

The artist’s story about ascetic zeal the modern reader can
be skeptical, but the life of Ivan Malyshev convinces him of the truth
memories. For example, such a fact: at the age of thirty-three, Malyshev
leaves for St. Petersburg and enters the Imperial Academy of Arts as
freelance student. But the artist was already married, had children, and besides
he worked in a monastery. A person who is not endowed with an artistic gift and true
diligence, would hardly have dared to take such a step and achieved success.

Whenever we hear or read the stories of outstanding, interesting people, we
we involuntarily try on the “costumes” of the heroes. Admiring another act or
horrified by what we have done, we ask ourselves: “And if I had been in his place? ..”
For example, Ivan Malyshev recalls how, as a child, he fell ill with smallpox. boy
they took the far corner of the cold hut, where he lay for several months; only
the amazing strength of the body and faith in God helped him endure inexpressible
suffering and get out. Illness and poverty did not prevent Ivan Malyshev from becoming
wonderful painter. Could I under such circumstances achieve
similar result? A challenge question that is not so easy to answer …

Ivan Malyshev’s natural talent, diligence and diligence brought
well-deserved fruits: the artist created his own workshop, achieved significant
success in creativity, but most importantly – contributed to a new unprecedented flourishing
icon-painting school of the Sergius Lavra, in which he was the leader and chief
mentor. He faced an important task: the school had to develop and
maintain the “Greek style of writing”, as stated in a special
guide for the “owner” of the educational institution. In those years in icon painting
dominated by the Italian school, which assumed a wealth of fantasy,
elegance of colors and differed, as noted in the mentioned manual, by a certain
“willfulness”. The Greek style was associated with the ancient ones adopted by the Church
samples. Reviving the Byzantine tradition of writing, Ivan Malyshev did not immerse himself in
him recklessly, he combined the artistic developments of the Rublevskaya
schools of icon painting with new trends that arose in the 19th century. Western influence
masters began to weaken, and their very vision began to be rethought. By and large
account Ivan Malyshev presented an independent, self-sufficient
point of view of the Russian icon painter, so it is not surprising that art historians and
art historians emphasize the significance of his work.

A new chapter in the history of Russian icon painting began with Malyshev, however, she
was not revolutionary, did not imply a radical revision of existing
techniques and methods of image, but testified to the search for one’s own
development ways. The icons of Ivan Malyshev did not exactly repeat the faces of XII or XIV
centuries, they rather bore the imprint of the 19th century, also because
that the hand of an academic artist is clearly visible in them.

By the way, it will be recalled that painters, including the Wanderers, often
they took up painting icons, but these canvases looked more like secular portraits,
than prayer images. Ivan Malyshev, not forgetting about the form, sought to reveal
spiritual content. That is why in the reviews of contemporaries you can find
mentions of both the skillful combination of light and shadow, and the pious and instructive
the nature of the work. Western tradition, as you know, both in painting and in sculpture
focuses not on the spiritual, but on the emotional,
closer and more understandable to the common man. That is why “naturalistic”
painting in the church seemed to Russian clergy and even art critics
“alien”, unacceptable. Hence, presumably, later attacks on the works
Ivan Malyshev, which, of course, differed from those permeated with spirituality
images of Andrei Rublev. However, contemporaries greatly appreciated the icons painted
Malyshev, it is no coincidence that his works can be found in various churches in Russia, and
also Ukraine, Poland, Georgia, England and America (archival data
testify that the artist carried out orders sent to these
countries). Public recognition is also evidenced by numerous incentives that
Ivan Malyshev received both from the royal family and from the organizers of the Paris and Vienna
international exhibitions. By the way, participation in such shows, apparently,
it turned out to be possible because, being expelled from the ranks of the staff of the Lavra due to seniority (a duty that Vanya accepted from
father and performed for forty years), a graduate of the Academy was awarded the title
free (non-class) artist.

Of course, the assessment of a painter’s work depends on the view of art,
dominant in a given period of time. The works of Ivan Malyshev called
delight among contemporaries, were criticized by subsequent generations, however,
today they are eye-catching. Just look at the sketches
stored in the family archive, or icons in the Ilyinsky temple, located
right next to the Lavra. Even to an inexperienced and ignorant spectator, they
amaze with the craftsmanship and beauty of the image. However, his work is distinguished
inner fullness, a mysterious spiritual component, which, in
essence, and is the main feature of a genuine icon. Classical education skills,
received by Ivan Malyshev at the Academy of Arts, gave him the opportunity
to embody their religious feeling competently and professionally. For the artist
managed not only to revive the ancient Russian tradition of icon painting,
but also, thanks to the modern style of writing, to make this tradition closer and
more understandable to the common man. Because the title of an outstanding artist and one of
the most significant icon painters of the second half of the 19th century by Ivan Malyshev absolutely
well deserved.

I, like many others, love the ZhZL series, but, you know, it’s one thing to just read
biography of a celebrity, and quite another – to get acquainted with the history of a person’s life,
kindred to you by blood. This connection completely changes the perception and impression:
there are reasons to be proud or disappointed, to compare and evaluate
own actions. That’s why, I think, family memory is so important –
preserved knowledge about ancestors, their deeds and destinies. I am sure that in every family
there will be people whose example will inspire or excite conscience, saving from
bad deeds. We just use memory
this kind is extremely rare, preferring to remain blind or selectively
sighted.

I really like to study the history of my family, which managed to
present a surprise – discover an outstanding predecessor. And I am pleased with my
to share the discovery with readers who may have their own
similar stories.

Family heritage: how our ancestors program us

Consultant psychologists Sergei and Dina Volsini run their own center, provide advice and training in a methodology that allows us to change unfavorable hereditary patterns. They are also the authors of the book Being Happy Is Easy! Energy traps in a couple and how to avoid them” Letidor publishes the first column of authors about the role that stories of older family members play in our lives.

Science knows the fact that a person copies some life situations from the life of his parents and ancestors. For example, the grandfather was dispossessed and sent to Siberia, his father’s house was taken away and imprisoned for a long time, and the man himself, already today, was taken away from his business and forced to leave the country. Another example: a grandmother’s husband dies at the front a year after her marriage, a mother’s husband leaves the family a year after the wedding, and the girl (their granddaughter and daughter, respectively) is in complete despair due to the fact that relations with young people never do not last more than six months.

Counseling people on a variety of life issues, we found that the repetition of scenarios in representatives of different generations of the same kind is carried out through feelings. The determining factor is the feeling that a person has inherited and is subconsciously ready to experience, and it is under this feeling that the life circumstances in which he finds himself are selected.
In the example of a businessman forced to leave the country and start life from scratch, the inherited feeling is the feeling of his grandfather, who experienced the loss of everything he had – home, land, family, homeland. The same happened to his father, despite the fact that he lived in a different time and in different circumstances. The businessman himself lives in a different era, at a time of a fundamentally different situation in the country, both political and economic. However, the feeling he inherited and the subconscious readiness to endure the loss of everything that I have was realized with the same force already in the third generation.
In the case of a girl who never manages to build any kind of long-term relationship, the inherited feeling is despair over the loss of a loved one. The grief of the grandmother, who lost her husband in her youth, was first transmitted to the girl’s mother, who experienced the same great despair when her husband left her. The same despair is experienced by the girl herself, although she is in a different situation. The circumstances are different, but the feeling is the same.
The similarity of scenarios in the destinies of different generations is not at all explained by “problems of the legal state system”, and not by the fact that “we don’t meet normal men”, as ordinary people often argue. Repetition goes through feelings inherited from parents and ancestors.

Our counseling experience shows that any problem situation in which a person finds himself originates in the generations above, from parents, grandparents, and sometimes great-grandparents. The habit of living in some kind of feeling or experiencing some kind of feeling in certain situations, at a certain age or in relation to certain people is adopted from relatives of the older generation and is realized already in one’s life, in modern circumstances.

Inherited fortunes are transmitted to a man, first of all, through the male line – from the father and grandfather on the paternal side. Inheritance does not mean copying, and how the son disposes of heredity depends on him. He can develop an inherited fortune and, relying on it, go further, surpass his ancestors in the male line. However, the difficulties that he will face in life accurately reflect the problems that his father could not solve. Life will put a man in similar circumstances and make him experience the same feelings. In fact, what a man says about his father, he says about himself. You just need to be able to decipher these words.
For example, a young man of thirty years old unexpectedly faced a difficult choice. For two years he was happily married, recently a son was born in the family. And suddenly he meets a girl and realizes that he hurried with his marriage: he had never experienced such feelings as now. However, leaving his family was never part of his plans. He especially did not want to leave his son, because at one time his father did just that – he left the family when the boy was barely a year old. It turned out that the father himself was left without a dad early – he was called to war shortly after the birth of his son, where he died. The inherited model is played out in such a way that after the birth of a son, the grandfather passes away, after the birth of his son, the father remains alive, but leaves the family, and the young man himself, after the birth of his son, remains both alive and in the family, but leaves the relationship with his wife. The third option, of course, is easier compared to the previous two, however, it is no weaker in terms of intensity of feelings and experiences.
Awareness of this model gave the young man the understanding that the experiences of today are the result of the inherited conditions of his father and grandfather. As soon as he realized this, the tension began to subside. We advised him not to make any decisions right now, but to give himself time to observe the situation and his feelings. He could leave the family, like his father, or he could stay – the choice was his. But in order to make a decision, it was necessary to get out of the influence of the inherited model, which literally drove him from the family.