Santa rita learning academy: Santa Rita Learning Academy, LLC
Santa Rita Learning Academy, LLC
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About the Provider
Description: Santa Rita Learning Academy, LLC is a Licensed Center – Child Care Program in SAN ANGELO TX, with a maximum capacity of 81 children. This child care center helps with children in the age range of Infant, Toddler, Pre-Kindergarten, School. The provider also participates in a subsidized child care program.
Additional Information: Initial License Date: 6/20/2014.
Program and Licensing Details
- License Number:
1637017 - Capacity:
81 - Age Range:
Infant, Toddler, Pre-Kindergarten, School - Enrolled in Subsidized Child Care Program:
Yes
Location Map
Inspection/Report History
Stepping Stones Academy – Rosenberg TX Licensed Center – Child Care Program
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| Inspections | Assessments | Self Reported Incidents | Reports |
|---|---|---|---|
| 14 | 0 | 1 | 1 View Report(s) |
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Santa Rita Learning Academy, LLC, Licensed Center – Child Care Program
Santa Rita Learning Academy, LLC
- Program Type:
- Licensed Center – Child Care Program
- Capacity:
- 81
General Information
Santa Rita Learning Academy, LLC is a licensed center – child care program in San Angelo, Tom Green County, that welcomes your child and family.
Sensitive, loving interactions with teachers are the active ingredients of high quality early care and learning programs. Children benefit socially, intellectually and physically from participation in quality group care experiences, with proven results that last into their school years. Quality child care/day care programs also involve parents—regularly telling you about your child’s daily activities, and sharing information about child development topics and activity ideas to enjoy at home.
Accreditations
No records
Educational Programs
No records
Hours of Operations
Monday
7AM – 7PM
Tuesday
7AM – 7PM
Wednesday
7AM – 7PM
Thursday
7AM – 7PM
Friday
7AM – 7PM
Saturday
Closed
Sunday
Closed
License Information
License number: 1258350
Expiration date: Unknown
Staff Roster
No results
Schools in the area
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1311 Austin St, San Angelo, TX 76903
(325) 653-3972
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(325) 653-0825
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2216 W Ave M, San Angelo, TX 76901
(325) 944-0721
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1623 Kenwood Dr, San Angelo, TX 76903
(325) 655-4756
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Santa Rita Pintor – frwiki.wiki
Santa Rita Pintor (born Guilherme Augusto Cau da Costa de Santa Rita or Guilherme de Santa Rita , in Lisbon on
A mythical figure in the first generation of Portuguese modernist artists, his work remains largely shrouded in mystery. He never exhibited in Portugal, but remained for several years in Paris with Amadeo de Sousa Cardoso, creating the first line of historical avant-garde artists of the early XX – th th century. He was the most active mover of the short-lived Portuguese Futurist movement. He died prematurely, before his 29th birthday, of pulmonary tuberculosis, leaving as an urgent order to burn all his work. Of his works, only one painting remains and rudimentary black-and-white reproductions of paintings reproduced in the magazines Orpheu (1915) and Portugal Futurista (pt) (1917).
Summary
- 1 Biography
- 2 His work
- 3 Gallery
- 4 Related Articles
- 5 links
- 6 External links
biography
Son of Guilherme Augusto de Santa Rita (1858-1905) and Palmyra Cau da Costa. He had two brothers: Augusto de Santa Rita (1888-1956), a modernist writer, and Mario de Santa Rita (1890-1909), a poet.
While studying at the Faculty of Fine Arts of the University of Lisbon (pt), he went to Paris with a government scholarship at . A committed monarchist, he lost his scholarship two years later due to a conflict with the ambassador and Republican João Pinheiro Chagas. In Paris, Santa Rita Pintor meets Mario de Sa-Carneiro, whom he will inspire to play a character in Confession de Lucio (pt) , 1914. He frequents avant-garde art circles, attending his conferences with Marinetti at the Galerie Bernheim -Jeune.
The influence of Marinetti and his Futurist manifesto was reinforced in 1912 by a visit to an exhibition of Italian Futurist artists in the same gallery, which encouraged him to join the movement. In the same year he exhibited painting 9 at the Salon des Indépendants0019 O Ruído num Quarto sem Móveis (Noise in an unfurnished room), whose title already “given a futuristic focus to his interests” .
A paradoxical personality, Santa Rita was, in the words of Mario de Sa Carneiro, a “fantastic type”, “ultra-monarchist”, “intolerable”, “intolerably conceited”.
He returned to Portugal in 1914 when the First World War broke out. Sensitive to Marinetti’s glorification of the machine, to his apology for a completely new and different art, to his break with a retrograde past, to his aggressiveness and desire to shock the conservative mentality, Santa Rita will, like Mario de Sa Carneiro, one of the main conductors futuristic ideas in Portugal, becoming an activator of the emerging Portuguese futurist movement.
At 1916 he said: “Futurist announced in Portugal, there is one, me.”
On his return to Portugal, one of his goals was to edit Marinetti’s manifestos, although he did not have the rights to do so. But above all, he wanted to develop his work and establish himself in society. At , he participated in a meeting with Almada Negreiros, José Pacheco and Rui Coelho. During this “great convention of artists and writers” a new generation “will rise to protest against the slumber to which the old people are forcing us.” In the same year he participated in the second issue of the magazine Orpheu , which reproduces four of these works. He tries unsuccessfully to direct future actions, but Fernando Pessoa will oppose this, as will Mario de Sa Carneiro. He begins preparing an alternative diary that he can control.
Orphée aux Enfers, date unknown, oil on canvas. Published in review Portugal Futurista , 1917, p.
7
In 1917 he achieved this goal by issuing the first and only number Portugal Futurista . But the magazine was confiscated by the police at the door of the printing house due to the fact that Negreiros, Saltimbankes, allegedly obscene in the text. But it was already late, and many copies were already on display in the windows of bookstores. The police end up dropping the case, having little desire to make the trip to Lisbon. This made the edition even more sulphurous and mythical.
The review was just a continuation of the “stormy” presentation of futurism last April at the Theater of the Republic (pt) . He directs this session himself, the main character of the event is Almada Negreiros. In front of a small audience of curious people from La Baixa’s intellectual cafes and a few students, Santa Rita animated and commissioned a show where texts by Negreiros, Valentin de Saint-Point and Marinetti were read.
Officially delivered by Carlos Filipe Porfirio (PT), Portugal Futurista on was actually the work of Santa Rita.
He directed the entire process of creation. Number 1 presented his photograph in a large format, and the text crowned him as “an artist who was created by the genius of the time” and “the great initiator of the Portuguese Futurist movement”. To illustrate the text, four reproductions of his works, including Orpheu nos Infernos ( Orpheus in the Underworld ).
He will never be exhibited in Portugal and his work remained unknown to the general public for a long time. Santa Rita died in 1918 at the age of 28 from tuberculosis. He leaves in his final wish an explicit order to destroy all his works by fire. With the suicide of Sa Carneiro in Paris in 1916, Santa Rita’s death would mark the end of that “historical bracket” that was Portuguese Futurism.
His job
Very few works survived the destruction order carried out by the Santa Rita family after his death. A few rare academic exercises done while he was a student of fine arts, and two major paintings of uncertain dating:
Cabeza , circa 1910, oil on canvas.
- Orfeu our Hell . Painting Orphée aux Enfers, reproduced in 1917 in Portugal Futurista , is a work of great expressive brutality, and although sometimes called a “Fine Arts hoax”, the painting has unusual thematic and formal characteristics that make it an outstanding artistic practice. fine arts, which at that time were still dominated by conventions XIX – Its date of creation is estimated to be between 1913 and 1915. “Fantastic and insane work, chromatic riots with mostly scarlet acridity,” Santa Rita evokes the image of Veloso Salgado, his master, as a character from hell.
-
Cabeca. (pt) This painting is considered the central work of modernism in Portugal. Even though an unknown person is written on the back, the actual date of its creation remains uncertain, probably between 1910 and 1912, which predates the Cubist paintings by Amadeo de Sousa-Cardoso and every other Portuguese artist. This work is similar to the African masks evoked by Picasso in his Demoiselles d’Avignon . However, its dynamic composition, dominated by curved forms and a strong sense of movement, is closer to the studies of futurists such as Umberto Boccioni.
This work is similar to the African masks evoked by Picasso in his Demoiselles d’Avignon . However, its dynamic composition, dominated by curved forms and a strong sense of movement, is closer to the studies of futurists such as Umberto Boccioni. - The four works reproduced in the review of Orpheus , destroyed after his death, are also inspired by Picasso, but from his next stage. In these works, Santa Rita shows an early assimilation of the discoveries of Picasso and Braque at the heart of Synthetic Cubism. The link to futurism is revealed in the surprising titles, which are supposed to be inspired by the introductory text of the exhibition catalog 1912 years at the Galerie Bernheim-Jeune in Paris and signed by Boccioni, Carlo Carra, Giacomo Balla, Gino. Severini and Luigi Russolo. Estojo scientificífico de uma cabeça + aparelho ocular + sobreposição Dynamica visual + reflexos de ambiente x luz
Review Orpheus No. 2, 1915 -
Compenetração estática interior de uma cabeça = complementarismo congénito absoluto ( SENSIBILIDADE LITHOGRAPHICA – , 1913, collage.
Review Orpheus No. 2, 1915 -
Syntese geometral de uma cabeça x infinito plástico de ambiente x transcendentalismo físico
Review Orpheus No. 2, 1915 -
Decomposição Dynamica de uma mesa + estylo do movimento ( INTERSECCIONISMO PLASTICO ) , 1912, collage.
Review Orpheus No. 2, 1915 -
Cabeça = linha – compulsory. Complementarismo orgânico , 1913, gouache on paper.
Magazine Portugal Futurista , 1917, p.9 -
Perspectiva dinâmica de um Quarto ao acordar , 1912, oil on canvas. Portugal Futurista
Review, 1917, p. 8
-
Blanket.
Magazine Portugal Futurista , 1917 -
Back cover.
Magazine Portugal Futurista , 1917.
Related Articles
- Amadeo de Sousa Cardoso
- Orpheus (overview)
- Generation Orpheus
- Mario de Sa Carneiro
- Almada Negreiros
- Jose Pacheco
- Rui Coelho
- Marinetti
- Bernheim-Jeune Gallery
- Fernando Pessoa
- Umberto Boccioni
- Synthetic Cubism
- Futurism
Recommendations
-
(pt) This article is partly or wholly taken from the Wikipedia article in Portuguese titled “Santa Rita Pintor” (see list of authors) .
- ↑ Baptism in the fregesia of Sant Jorge de Arroios, December 25, 1889 Obituary in the newspaper “O Século”, : “ After a long illness, died the day before yesterday, at the age of 25 [sic ], Mr. Guilherme Santa Rita, son of the late writer of the same name (…) »
- ↑ Franca, José Augusto – “Anos 10: o fim de oitocentos e os anos dez”. In: AAVV (coordenação Fernando Pernes) – Panorama Arte Portuguesa no Século XX’ . Porto: Fundação de Serralves ; Campo de Letras, 1999, p. 44
-
↑ Villena, Enrique de – “Recordando Santa-Rita Pintor” (1950). In: Diaz, Fernando Rosa – Ecos Expressionistas na Pintura Portuguesa Entre-Guerras . Lisbon: Campo da Comunicação, 2011, p. 102 . (ISBN 978-989-8465-03-0)
- ↑ José Augusto Franca, A arte em Portugal no seculo X , Lisbon, Livraria Bertrand, , p. 54, 544.
- ↑ Diaz, Fernando Rosa – Ecos Expressionistas na Pintura Portuguesa Entre-Guerras . Lisbon: Campo da Comunicação, 2011, p. 93
- ↑ a b and c Franca 1974, p. 54.
- ↑ (in) Helmut Wohl, Portuguese art since 1910 , London, Royal Academy of Arts, , pp.18-19.
-
↑ (pt) “ Ver carta Fernando Pessoa in Santa Rita, September 21, 1915 “, arquivopessoa. net
- ↑ Franca 1974, pp. 55, 64, 65.
- ↑ Franca 1974, pp. 68-69.
- ↑ Franca 1974, pp. 75.
- ↑ Chavez, Joaquim Matos – Santa Rita Pintor, Vida and Obra: Accuracy and Consideration. Lisbon: Quimera Editores, 19Voli 1978, pp. 44-46.
(ISBN 978-989-8465-03-0)
net
External links
Academy Do Lobito vs Santa Rita de Cassia – Angola Girabola – Football
Academy Do Lobito
Stadium : Estadio do Buraco
Round : 5
Santa Rita de Cassia
Matches
charts
VIP Data
History
Odds
League Table
| Academy Do Lobito |
Santa Rita de Cassia |
|
| 1 | Goals | 0 |
| – | Avg. Half Goals |
Avg. Goals | Avg. Half Lost | Avg. Lost | Avg. Corners |
|---|---|---|---|---|---|
| Home | – | 0.60 | – | 0.80 | – |
| Away | – | 1.00 | – | 0.60 | – |
| Total | – | 1.60 | – |
1. 40
|
– |
| – | Avg. Half Goals | Avg. Goals | Avg. Half Lost | Avg. Lost | Avg. Corners |
|---|---|---|---|---|---|
| Home | – | 1.00 | – | 1.20 | – |
| Away | – | 0.60 | – | 1.10 | – |
| Total | – |
1.
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