Gilden woods breton village: Gilden Woods Breton Village – AppleTree & Gilden Woods Early Care and Preschool

Опубликовано: December 20, 2022 в 5:33 am

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About the Provider

Description: To create and sustain centers where care and learning intermingle playfully in a nurturing setting to fully develop the spiritual, emotional, social, intellectual, and physical growth and health of each child.

Program and Licensing Details

  • License Number:
    DC410412786
  • Capacity:
    174
  • Enrolled in Subsidized Child Care Program:
    No
  • Type of Care:
    Full Day Program. Food service, Infant/toddler, Preschool, School age, Transportation
  • Current License Issue Date:
    Aug 15, 2022
  • Current License Expiration Date:
    Feb 14, 2023

Location Map

Inspection/Report History

Safe Harbor Learning Academy – Nicholasville KY Licensed Child Care

Where possible, ChildcareCenter provides inspection reports as a service to families. This information is deemed reliable,
but is not guaranteed. We encourage families to contact the daycare provider directly with any questions or concerns,
as the provider may have already addressed some or all issues. Reports can also be verified with your local daycare licensing office.

Original Licensing Study Report
– 09/30/2022
Inspection Report
– 08/29/2020
Corrective Action Plan
– 06/15/2020
Special Investigation Report
– 04/14/2020
Renewal Inspection Report
– 04/13/2019
Special Investigation Report
– 03/16/2019
Special Investigation Report
– 03/16/2019
Inspection Report
– 07/27/2018
Inspection Report
– 07/27/2018
Renewal Inspection Report
– 04/03/2017

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Gilden Woods Early Care and Preschool

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Gilden Woods Early Care and Preschool – Breton Village

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    This place is located at the following address: United States, Grand Rapids, MI 49546, 2604 Burton St SE.



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    You can dial the following number: (616) 957-0992.



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Le Corbusier monastery, contemporary art in the forest, zoo with gorillas: 12 trips to France

The authorities are urging the French to spend their summer holidays inside the country. What will happen to the borders within the European Union is not yet clear, but in France itself, travel restrictions have been lifted since June 2, and you can plan your trip now. Anna Stroganova has chosen twelve out-of-the-ordinary places for a trip or short outing this summer, from a Savoy church in the mountains with stained-glass windows by Chagall and Fernand Léger mosaics to a villa near Paris designed by the founder of Finnish design, Alvar Aalto.

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Close to Paris

The name of the île-de-France region has the word “île” – an island – for a reason. The Paris region is somewhat similar to a treasure island. There are many picturesque villages with farms, barns, mills and dovecotes, several royal castles with luxurious parks and gardens, or, for example, the forest of Fontainebleau – a giant nature reserve with themed tours. We have chosen only two not the most famous ideas for walking near Paris, but do not forget – they are inexhaustible.

Jean Cocteau House in Milly-la-Foret

House of Jean Cocteau in Milly-la-Foret. AFP – FRANCOIS GUILLOT

Dramatist, artist and poet Jean Cocteau bought this three-storey stone house after the war, in 1947, together with his lover, the young actor Jean Marais, and lived in it for the last 17 years of his life. A house built in the early 17th century, located near Fontainebleau, became a museum ten years ago.

Three rooms in the house have been preserved, as during the life of Jean Cocteau. The living room, bedroom and study of the poet remained locked for 40 years – until Pierre Berger, a French philanthropist and friend of Cocteau, who was burning with the idea of ​​​​creating a museum, bought the house in the early 2000s. After Berger’s death in 2017, the museum closed briefly, but received regional funding last year.

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SAISON 2020 La maison Jean Cocteau sera ouverte du 30 mai au 1er novembre 2020. Le samedi et le dimanche, de 14H à 18H Accès gratuit du 30 mai au 12 juillet, visite limitée aux jardins, verger et RDC de la maison. Port du masque obligatoire à partir de 11 ans dans l’enceinte du site. Salon de the et boutique fermes.

A post shared by Maison Jean Cocteau Officiel (@maison_jean_cocteau_officiel) on

Milly-la-Foret is definitely worth a trip to see the 12th-century chapel Saint-Blaise-de-Semple, where leprosy patients came to pray to Saint Blaise the Healer. Jean Cocteau painted the chapel at the request of the city hall a few years before his death, in 1959. Here, in the chapel, he is buried.

Milly-la-Forêt is the capital of French peppermint. In the Middle Ages, there were leper colonies in the region, and herbs were used to produce medicines. Today, mint teas, candies and syrups are sold in local shops and markets, where mint is found even in sausage.

►►For more on the history of peppermint in Milly-la-Foret, read here .

The museum re-opened for visitors on May 30 and will be open on weekends from 14:00 to 18:00. Until July 12, the reception of visitors will be free, they promise on the website of the house-museum. Masks are required for all visitors over the age of 11.

http://www.maisoncocteau.net

Scandinavian design an hour from Paris – villa of Alvar Aalto, one of the main architects of the 20th century

Louis Carré’s house in Bazoches-sur-Guyon near Paris, designed by Alvar Aalto. © maisonlouiscarre.fr

Louis Carré’s house in Bazoches-sur-Guyon, 45 kilometers from Paris, was built by Finnish design pioneer Alvar Aalto between 1957 and 1959.

The Breton lawyer, collector and gallery owner Louis Carré was well acquainted with Le Corbusier. However, for the construction of his own house, he preferred bleached brick, Chartres sandstone and Finn Aalto wood to the gloomy concrete structures of the French architect.

After a long correspondence, a Finnish architect and a French gallerist met at the Venice Biennale and quickly hit it off. Construction of the house began in the fall of 1957. The construction was led by Alvar Aalto’s French-speaking wife, Elissa.

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Maison Louis Carré by Alvar Aalto

A post shared by Marta Cygan (@lifeofboheme) on

All interior furnishings including furniture different types of wood, copper and bronze door handles and lamps, were also invented and designed by Aalto.

The house welcomes visitors from May 30 in groups of no more than eight people wearing masks. Reservation is required.

https://maisonlouiscarre.fr/mlc/visites/

The half-timbered dancing houses of Troyes, the instrument museum and the 13th century church in Schaours

an hour and a half drive from Paris – in Troyes (Champagne-Ardenne region). The 16th-century ensemble of colorful dancing houses with wooden beams is one of the most interesting and well-preserved in all of France. In addition to half-timbered houses, Troyes is beautiful with its narrow medieval streets and several Gothic churches with a collection of stained glass windows.

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[ 🕑 ] Qu’avez-vous prévu ce weekend ? . . 📷 : © @abdoul_photography – @troyeschampagnetourisme . . . #troyes #troyestourisme #street #streetphotography #picoftheday #photography #photooftheday #moodoftheday #mood #merveillesdefrance #amazing #chill #enjoy #family #bonheur #happy #patrimoinedefrance #beaute #newyear #grandest #patrimoine #france #super_france #grandest_focus_on #france_focus_on #explore #patrimoinefrancais #weekend #haveagoodweekend

A post shared by Troyes La Champagne Tourisme (@troyeschampagnetourisme) on

Museum of Tools and Working Thought , housed in a 16th century mansion, is another reason to come to Troyes. Here is a collection of 12 thousand instruments of the 17th, 18th and 19th centuries. In March, the museum was supposed to open an exhibition dedicated to sewing tools. Visitors were promised to be shown unknown items from the collection – irons, corners, pins and hairpins. Quarantine prevented these plans, and so far the exhibition objects are shown on Instagram.

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Needle workers are waiting patiently, but in the meantime, we continue to show you some pieces. Today, the seamstress! Did you know, sewing was once primarily for men. Called master tailors, they were the only ones who could make and sell all kinds of clothes for men, women and children. After many battles, the seamstresses finally got rights and recognition. The seamstress played a fundamental role in the economic development of the 18th century and in the idea that fashion is naturally the responsibility of women. . . Les travailleuses de l’aiguille attendent patiemment, mais en attendant, on continue de vous les faire découvrir. Aujourd’hui, c’est au tour des couturières! Le saviez-vous, la couture était une activité autrefois principalement réservée aux hommes. Appelés maître-tailleurs, ils étaient les seuls à pouvoir confectionner et vendre toutes sortes d’habits d’hommes, de femmes et d’enfants. Après de nombreuses batailles, les couturières obtiendront des droits et une reconnaissance. La couturière a joué un rôle fondamental dans le développement économique du XVIIIème siècle et dans l’idée que la mode relève naturellement des femmes. #maisondeloutil #troyes #museum #france #french #mopo #outil #oldtools #antiquetools #vintagetools #toolporn #picoftheday #toolsofthetrade #artisan #crafts #tools #craftsman #handtools #seam #seamstress #couture #needlework #needle #exhibit

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There is a 13th-century church near Troyes in the small town of Chaours, best known for its cheese of the same name. In the crypt of the church of St. John the Baptist there is an amazing sculpture of the beginning of the 16th century “The Entombment” (1515). Figures slightly taller than human growth stand in the twilight of the crypt, guards at the entrance, angels on the ceiling – a symbol of the Resurrection. The name of the sculptor is still unknown. All that remains is a nickname – Maître de Chaource, “Master of Shaur”, and an unconfirmed version that, perhaps, he was a certain Jacques Basho.

Troyes is also perfect for more consumerist leisure activities. Three large outlets are located near the city, and champagne vineyards are scattered throughout the district, where inexpensive champagne is sold and poured to guests.

“Wind of the Forest” – 45 km trail of contemporary art

The Chinese artist Liu-Bolin made for the “Wind of the Forests” a compressed cast Iron First fist three and a half meters high and weighing ten tons. © ventdesforets.com

In the east of France, 40 km from Verdun, six small Lorraine villages have united in an art project called “The Wind of the Forests” (Le Vent des Forêts). Seven trails, 45 kilometers of forest trails and more than a hundred modern art objects scattered throughout the forest.

Since 1997, artists from around the world have been placing sculptures in the woods and along the paths, calling for thinking about the global and the eternal. A giant globe made of scrap metal and other waste, a ball of pointed wooden rods called “The Dictators’ Theorem”, an “autobiographical” tombstone made of blue granite – there is something to see here.

View this post on Instagram ont perdu leur utilite. A méditer, avant d’agir. publicart #artlovers #lorraine #lorrainevousreveler #coupdecœurgrandest #exploregrandest #mongrandest

A post shared by Vent des Forêts (@ventdesforets) on

and a half meters and weighing ten tons.

You can walk through the forest and look at objects of contemporary art every day, seven days a week, and absolutely free of charge.

Ventdesforets.com

Land of golden stones – little Tuscany in the south of Beaujolais

The village of Ouen in the Land of Golden Stones in the south of Beaujolais – 30 kilometers from Lyon. © beaujolais.com

A cluster of villages in the south of Beaujolais is called “Little French Tuscany”. The land of golden stones – the name of the area sounds like the name of a children’s book. The houses here are built of local limestone with iron oxide giving the stone a shimmering golden hue. Vue d’ensemble de notre merveilleux village🏠 qui était autrefois un castrum bâti par les romains, qui a rapidement été utilisé pour la production de vignes!

A post shared by Village Oingt🌳 (@villageoingt_) on

One of the most beautiful of the 39 villages in the area is the medieval village of Oingt, located 30 kilometers from Lyon and listed as one of the most beautiful villages in France. A chapel and tower from the 11th century have been preserved from the medieval city, offering panoramic views of the valley and vineyards. The village is known for its living artists, art galleries, workshops and of course Beaujolais tastings.

Saint-Martin-la-Plain – gorilla zoo and captive wildlife rescue association

Zoo owner Pierre Thivillon in Saint-Martin-la-Plain with his gorilla, Dijit, in 2018. AFP – PHILIPPE DESMAZES

Zoos are rightfully a mixed bag these days, but this one definitely deserves attention. The zoological park in Saint-Martin-la-Plaine (a commune located between Lyon and Saint-Etienne) was opened in 1972 by the spouses Pierre and Eliana Tivillon (Pierre et Éliane Thivillon).

Now the zoo in Saint-Martin-la-Plaine, where 1200 animals live, welcomes 170,000 visitors a year.

Amateur zoologists, the Tivillons have always been crazy about great apes, especially gorillas, and in 45 years were able to collect 12 individuals in Saint-Martin-la-Plaine – a rarity for a European zoo. The most famous of the gorillas, Dijit, was raised by the Tiviyons and lived with Pierre and Eliana for 19 years. 76-year-old Pierre Tivillon appears in all reports of local TV channels in an embrace with his beloved monkeys, and Dijit even calls him “daughter”.

The Tivionons have no children, so he always talks about the future of the zoo with tears in his eyes, but he hopes to pass on his life’s work to the team, which now employs 40 people.

Another project of Pierre Thivillon is the Tonga Terre d’Accueil association, which rescues wild animals abandoned or taken from private individuals, circuses and laboratories. Today in Saint-Martin-la-Plaine in special enclosures, located separately from the zoo, 300 rescued animals live – lions, tigers, monkeys and hyenas. However, they are not shown to visitors.

The zoo has reopened after the lockdown, but is limited to 600 visitors at a time.

https://www.espace-zoologique.com/actualites/reouverture-parc-mai-2020.html

Le Corbusier Monastery

The Dominican monastery of Sainte-Marie de La Tourette, designed by Le Corbusier and included in the UNESCO World Heritage List. © Wikipedia

One of Le Corbusier’s most famous buildings in France is the Residential Unit complex, an apartment building in Marseille. For immigrants from the post-Soviet space, a concrete box with multi-colored spots of balconies invariably resembles the architecture of their native cities. Much less famous is the Dominican monastery of Sainte-Marie de La Tourette, built by the famous Frenchman and included in the UNESCO World Heritage List.

The monastery was built in the late 1950s in Éveux, 25 kilometers from Lyon. Le Corbusier’s idea was “to place prayers and teachings in the silence of the people, and to build a church for them.”

The gray building made of rough concrete is the last thing that looks like a monastery – more like a Soviet nuclear institute, but that’s what makes it interesting. Built in the style of a classical monastery – a closed rectangular courtyard-cloister with two tiers of cells – Sainte-Marie de La Tourette was the last great work of Le Corbusier.

Guided tours of Sainte-Marie de la Tourette on Tuesdays and Saturdays by the monks themselves. The number of visitors is limited to nine. Masks and pre-registration by e-mail are required: [email protected]

https://www.couventdelatourette.fr

La Fabuloserie – art brut on the river bank 100 kilometers from Orleans

Alain Bourbonnet Museum in the center of France La Fabuloserie. © La Fabuloserie

The tiny village of Disy in the Yonne department in the center of France is known for two things:

♦ writer Michel Houellebecq stayed with his grandmother;

♦ Here, in 1983, in the idyllic wilderness on the banks of the river, the French architect and collector Alain Bourbonnais created an unusual Art Brut house-museum with the untranslatable name la Fabuloserie.

Alain Bourbonnet is a close friend of the French artist Jean Dubuffet. The latter in 1945 coined the term “art brut” – rough, raw art – to refer to the collection of art objects he had assembled, made by people who had nothing to do with art: self-taught, prisoners, mentally ill or children.

Impressed by the Dubuffet collection, Bourbonnet decided to collect his own. From his house and garden in Disy, Bourbonnet created a surreal space filled with art brut objects.

A post shared by La Fabuloserie (@lafabuloserie) on

Beaux-Arts calls the Alain Bourbonnet collection “the first collection of vernacular rural art in France”.

Today Alain Bourbonnet’s daughters Agnes and Sophie run the museum.

The museum reopened after quarantine on May 21st. Booking by e-mail is required: [email protected]

1 Rue des Canes 89120 dicy

www.fabuloserie.com 9000

9000 9000 heritage UNESCO

View of Saint-Emilion from a bird’s eye view. AFP-MEHDI FEDOUACH

Saint Emilion is primarily associated with vineyards, but it is also a beautiful medieval town 45 minutes from Bordeaux. It was founded in the 8th century by the Benedictine hermit monk Emilion, who took refuge in a cave. Legend has it that Emilion hated red wine.

The Saint-Emilion vineyard was the first to be included in the UNESCO World Heritage List twenty years ago. 48 liquor stores in the area confirm that this is no coincidence.

Notre-Dame de Tutes-Grâce of Savoy at 1000 meters with Léger mosaics and Chagall stained glass windows

Church of Notre-Dame-de-Toute-Grasse with a mosaic by Fernand Léger on the façade. © Anya Stroganova

The Assy Plateau in Haute-Savoie was once France’s main refuge for tuberculosis patients. In the 1920s, tuberculosis sanatoriums began to be built here – the mountain air was famous for its therapeutic properties. Jean Devémy, a Catholic priest from the diocese of Lille, who was appointed chaplain in one of the sanatoriums, saw his life’s work in building a church in this remote mountainous area.

The interior of the Church of Notre-Dame de Tutes-Grace, built for tuberculosis patients. © Anya Stroganova

The Savoyard architect Maurice Novarina started building the modest church building in 1938, made of local stone. Through the efforts of Jean Devemy, it has become one of the most beautiful and unusual churches in France. Devemi, with the help of a friend, priest and artist Marie-Alain Couturier, managed to attract the main artists of the era – Chagall, Matisse, Léger, Rouault, Bonnard – to the project.

Monumental mosaic on the façade of Notre-Dame-de-toute-Grâce by Fernand Léger.

An amazingly beautiful road winding through the mountains leads to the church.

Near Nice, inland

Medieval village of Seillant, included in the list of the most beautiful villages in France. © les-plus-beaux-villages-de-france.org

Coming to the Côte d’Azur and moving away from the coast into the highlands is an idea worth considering. “Arrière pays niçois” – that is, literally, “the side of Nice that is behind” – is a set of hilltop villages with sloping cobbled streets, Romanesque churches and typical Provencal landscapes.

In one of the most beautiful villages in the region – the medieval Seillans – the artist Max Ernst lived for the last 12 years of his life after returning to France from the USA.

Located at an altitude of almost 1200 meters, the Church of Notre-Dame-des-Miracles (La Madonne d’Utelle) of the Sanctuary of the Madonna of Utel is interesting for its architecture and history. According to legend, the first chapel was built on this site around 850 by Spanish sailors, whom the Virgin Mary appeared to during a storm and pointed to a mountain that towered over the valley. Since then, the sanctuary has become a place of pilgrimage. The chapel, destroyed during the revolution, was restored in 1806.

Chauze Archipelago – high tide and white sand

One of the islets of the Shoze archipelago. AFP – VALERY HACHE

The Chauzet archipelago, 17 kilometers by sea from Granville, Normandy, is geographically considered part of the Channel Islands. They are located to the north and are crowned possessions of the British Crown, while not being part of the UK.

Shoze is 365 islets visible at low tide and 52 at high tide. The largest of them, Grande Île, seven kilometers long and five wide, lives without cars, in the rhythm of the ebb and flow.

Clear water, white sand – Grand Isle has six beaches, three of which are open to tourists. The local tourist office promises that you can see marine fauna on the islands: dolphins, seals and birds.

From Granville (40 km from Mont-Saint-Michel) to Chausay, several times a day, from April to October, there is a boat. The journey by water takes an hour one way.

https://www.manchetourisme.com/chausey

Breton traditional costume: hor_j — LiveJournal

Brittany is one of the most distinctive provinces in France. This is due to the geographical remoteness from the center, and the long existence of Brittany as an independent state entity until it became part of France in 1532, and the linguistic border, which, on the one hand, separated the region from the rest of the country, on the other, separated Lower Brittany, where up to until the beginning of the 20th century. they spoke Breton, from the Upper, who used “gallo”.

The Bretons consider their traditional costumes one of the forms of expression of their “specialness”.

There are different versions about their origin. The most popular opinion among Celtomaniacs was the direct transformation of ancient Celtic robes into traditional Brittany outfits. A more plausible theory is to look for roots in the reign of Louis XIII.

Bretons. Engraving 1870

Approximately from the 17th century. in the clothes of peasants, and especially peasant women, of this region of France, there is a desire to use a certain combination of fabrics, colored ribbons, the shape and size of hats in order to distinguish themselves from residents of neighboring villages (church parishes), which became especially relevant during fairs and holidays.

In the next century, the gravitation towards the originality of the Breton costume and its decoration increases noticeably. After the revolution and the abolition of regulation in clothing, it became possible for every citizen who had accumulated money to use any expensive fabrics and jewelry in his outfit in accordance with his concept and current fashion. The latest styles in such a remote area as Brittany, where, moreover, half of the population did not know French, got with difficulty and very late, so the local peasants at the end of the 18th century. they began to imitate the long-defunct models of Parisian fashion, which reflected their idea of ​​\u200b\u200bthe clothes of aristocrats. At the same time, in each town or village, a certain unity was maintained, if not in style, then in the decoration of costumes.

At the end of the 19th century. there was a tendency to a sharp reduction in the daily wearing of traditional clothing, especially among young people, who regarded it as outdated, “village”. However, even young Bretons were not going to completely part with their costume and continued to wear it for various ceremonies, holidays, fairs or other similar occasions.

Breton costume survived the renaissance period. Folklore festivals aimed at popularizing the cultural heritage, strengthening the Breton identity have revived interest not only in literature, music, dance, crafts, but also in costume. Moreover, both within the province, and even outside of France.

Despite the long period of World Wars I and II and post-war reconstruction, the modernization of society, the traditional costume continued to be worn. Back in the 1960s, the Breton village dressed in its own, local fashion. The men wore bloomers and wide-brimmed hats adorned with ribbons, while the women wore elegantly embroidered velvet dresses, aprons and lace caps.

Since the 1950s attention to the Celtic heritage increased, and on this wave folklore holidays and festivals were revived in Brittany, exhibitions of folk art were held. On the basis of written and pictorial sources, research is being carried out on the reconstruction of the Breton attire. Some of its most archaic details cannot be reliably restored. It is already difficult to find ancient fabrics – they use modern ones, there is not enough time and skill for hand embroidery – they use machine embroidery.

Despite its stability, the Breton costume did not remain unchanged over time. It concerned, basically, details. Either more lace appeared in the trim, then the width of the cuff changed, then it decreased, then the cap increased in size, then the skirt was shortened.

The traditional costume of Brittany is now recognized as part of the cultural heritage of the region. It is worn with pleasure for guests and on holidays, but from a daily habit, it has finally passed into the category of a tourist attraction.

Women’s attire was the most diverse.