Bright ideas tempe: Bright Ideas Childcare At Tempe

Опубликовано: May 6, 2023 в 7:23 pm

Автор: alexxlab

Категории: Miscellaneous

Bright Ideas Childcare At Tempe

About the Provider

Description: Bright Ideas Childcare and Learning Center is designed to provide a comfortable, safe and secure learning environment for children 6 weeks to 12 years of age. Our classrooms are designed to allow your child a hands on experience for learning. We are dedicated in providing an environment that meets the social, emotional and intellectual growth of your child. Our programs are structured to provide each age group with age appropriate curriculum for fundamental learning.

Program and Licensing Details

License Number:
CDC-15529
Capacity:
196
Age Range:
Infant; Ones; Twos; Three to Five; School-Age
Enrolled in Subsidized Child Care Program:
No
Current License Issue Date:
Sep 01, 2019
District Office:
ADHS Division of Licensing Services
District Office Phone:
(602) 364-2539 (Note: This is not the facility phone number.)

Inspection/Report History

Stepping Stones Academy – Rosenberg. ..

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Stepping Stones Academy – Rosenberg TX Licensed Center – Child Care Program

Where possible, ChildcareCenter provides inspection reports as a service to families. This information is deemed reliable,
but is not guaranteed. We encourage families to contact the daycare provider directly with any questions or concerns,
as the provider may have already addressed some or all issues. Reports can also be verified with your local daycare licensing office.

Survey Date	Date Corrected	Rule/Statute	Title

2021-07-28	2021-10-22	Article 2	R9-5-203.C.
Findings: Based on facility documentation and the Surveyors’ observations, Staff #1’s (SD: 9/1/2010) fingerprint clearance card expired on 1/13/2021 and another card was not issued until 7/19/2021.

2021-07-28	2021-10-22	article 3	R9-5-302.A.1-18.
Findings: Based on facility documentation and the Surveyors’ observations, the main posting board lacked a current menu (menu dated 6/21/2021 – 6/25/2021) and a notice stating inspection reports are available on-site.

2021-07-28	2021-10-22	article 3	R9-5-306.B.1.
Findings: Based on facility documentation and the Surveyors’ observations, the roster in the School-age classroom did not reflect the number of children present in the activity area. There were 13 children in the classroom and only 12 children documented on the roster.

2021-07-28	2021-10-22	article 3	R9-5-309.A.
Findings: Based on facility documentation and the Surveyors’ observations, the facility lacked a current fire inspection. *Repeat deficiency 7/28/2020.

2021-07-28	2021-10-22	article 4	R9-5-404.A.
Findings: Based on the Surveyors’ observations, the 1 & 2’s classroom had a ratio of 2:15 with a required ratio of 3:15.

2021-07-28	2021-10-22	article 5	R9-5-501.A.12
Findings: Based on the Surveyors’ observations, the following hazards were accessible to enrolled children: Restroom by One’s: Protruding screw from the base of the toilet. Women’s restroom: Protruding screw from the base of the toilet in the first stall, third stall had a loose toilet seat and there was a hole in the bottom of the door to the restroom. Men’s restroom: A drain on the floor lacked a cover.

2021-07-28	2021-10-22	article 5	R9-5-501.A.19.a.b.
Findings: Based on the Surveyors’ observations, in the Infant classroom there was a large container of detergent on the floor next to the diaper changing table.

2021-07-28	2021-10-22	article 5	R9-5-501.C.9.a-c.
Findings: Based on the Surveyors’ observations, the following personal products lacked the enrolled child’s name: One’s Classroom: A tube of triple paste ointment.

2021-07-28	2021-10-22	article 5	R9-5-502.C.1.g.
Findings: Based on the Surveyors’ observations, in the Infant classroom, an infant was sleeping in a crib with a bib on.

2021-07-28	2021-10-22	article 5	R9-5-502.C.3.a.
Findings: Based on the Surveyors’ observations, in the Infant classroom, there was a sippy cup in the refrigerator that lacked the Infant’s name.

2021-07-28	2021-10-22	article 5	R9-5-503. A.1.a.b.
Findings: Based on the Surveyors’ observations, in the Infant classroom the diaper changing table lacked a sanitizable surface. The diaper changing surface had peeling paint and exposed wood.

2021-07-28	2021-10-22	article 5	R9-5-503.A.3.4.
Findings: Based on the Surveyors’ observations, the following classrooms lacked: One’s Classroom: Lids on the soiled diaper and soiled clothing containers. Two’s Classroom: A liner in the soiled clothing container and a lid on the soiled diapers container.

2021-07-28	2021-10-22	Article 5	R9-5-512.F.1.a.
Findings: Based on the Surveyors’ observations, the Two’s restroom lacked toilet paper.

2021-07-28	2021-10-22	Article 5	R9-5-512. F.1.b.
Findings: Based on the Surveyors’ observations, the Two’s restroom lacked soap by the small restroom sink.

2021-07-28	2021-10-22	Article 5	R9-5-512.F.7.
Findings: Based on the Surveyors’ observations, the restroom by the One’s classroom had a bin of clothes, a bag of supplies and two brooms and a dustpan on the floor.

If you are a provider and you believe any information is incorrect, please contact us. We will research your concern and make corrections accordingly.

Reviews

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Bright Ideas Childcare and Learning Center

Bright Ideas Childcare and Learning Center – 2720 S Dorsey Ln, Tempe, AZ 85282

Contact and Address

Opening Hours:

Customer Ratings and Reviews

Mr.&Mrs. Sanchez on Google

(October 1, 2019, 10:39 pm)

We’ve been taking our daughter to bright ideas in Tempe since she was 6months old and we absolutely love it, let me first off by saying my husband was very skeptical with daycares and anyone looking out for our baby but as soon as we visited and seen how the infants room was well kept up and how the staff had everything in a routine my husband right away was convinced as they took care of her the way we take care of her they loved her as she loved the staff and other kids. My baby learned so much. To make a long story short our baby is almost 3yrs old we don’t live in Tempe anymore and we drive out of our way everyday to drop her off and pick her up I work in Phoenix my husband in Glendale and we live in Tolleson so with that much said as long as we know our daughter is getting the best care and we don’t have to worry about her while we are at work because we know she’s safe it is worth the drive for us. We had once tried another daycare closer to home when she was 1 years old and in that 2 weeks of taking her we noticed a change in her and how unhappy she was every time we had picked her up all we want is best for her and whatever makes her happy and so far she loves it at bright ideas she loves all her friends that she’s growing up with she loves to learn as they do such a good job at keeping their little minds busy with activities and crafts. There were few things we disliked and as long we brought it up to their attention they were always very good at making sure it’s getting taking care of. They always keep me updated and they got an app so I can see what time she napped what she ate and what she’s learning it’s awesome

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Morgan Love on Google

(March 21, 2019, 5:25 pm)

This is my daughter’s first week at this daycare so far and she has really enjoyed it so I am happy to give 5 stars. You can tell they really care about our kids amd my daughter loves her teacher which says lot because she is VERY picky with who she talks to o would recommend this center for your child!!

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Courtney Moran on Google

(February 25, 2019, 11:23 am)

Every single staff member is caring and loving towards the children. This is a family establishment and you feel like part of the family here! My kids don’t want to leave when I pick them up! I could write a novel with how amazing this childcare is ❤

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Laurie Shook on Google

(March 11, 2013, 1:31 pm)

They have been amazing! I have a foster child who had some behaviors that needed patience, love, and caring adults to help us handle. They went out of their way to accommodate his needs, were attentive, kind, and loving towards him. They are always friendly and hours are perfect for full time working parents. The owner and director are extremely knowledgeable and are very involved in the classrooms. I am glad we chose this center for our child!

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Questions & Answers

What is the phone number for Bright Ideas Childcare and Learning Center?

The phone number for Bright Ideas Childcare and Learning Center is (480) 777-1658.

Where is Bright Ideas Childcare and Learning Center located?

Bright Ideas Childcare and Learning Center is located at 2720 S Dorsey Ln, Tempe, AZ 85282

What is the internet address for Bright Ideas Childcare and Learning Center?

The website (URL) for Bright Ideas Childcare and Learning Center is: http://www. brightideaschildcare.com/

What days are Bright Ideas Childcare and Learning Center open?

Bright Ideas Childcare and Learning Center is open:
Monday:6:00 AM – 6:30 PM
Tuesday:6:00 AM – 6:30 PM
Wednesday:6:00 AM – 6:30 PM
Thursday:6:00 AM – 6:30 PM
Friday:6:00 AM – 6:00 PM
Saturday:Closed
Sunday:Closed

Bright Ideas Childcare and Learning Center photos

Bright Ideas Childcare and Learning Center On the Web

Bright Ideas Childcare – 1,366 Photos – 9 Reviews – Day Care…

Bright Ideas Childcare – Phoenix, AZ 85040 – Rated 4.3 based on 9 Reviews “This is the first child care I have ever put my daughter in and I was nervous… Welcome to Bright Ideas Childcare and Learning Center. At Bright Ideas, we are a committed partner i… See More.

https://www.facebook.com/brightideaschildcare/

Bright Ideas Childcare At Tempe | TEMPE AZ CHILD CARE CENTER

Description: Bright Ideas Childcare and Learning Center is designed to provide a comfortable, safe and secure learning environment for children 6 weeks to 12 years of age. Our classrooms are designed to allow your child a hands on experience for learning. We are dedicated in providing an…

https://childcarecenter.us/provider_detail/bright_ideas_childcare_and_learning_center_tempe_tempe_az

Bright Ideas Childcare & Learning Center – Tempe, AZ – Child Care…

Bright Ideas Childcare and Learning Center is designed to provide a comfortable, safe and secure learning environment for children 6 weeks to 12 years. Our classrooms are designed to allow your child hands on experience for learning. Bright Ideas believes in a “centers” approach for early education.

https://www.manta.com/c/mtp3zr5/bright-ideas-childcare-learning-center

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Temp – NHP

The North Caucasus is one of the most ancient centers of culture. Humans have lived in this area for over 300,000 years. And already in the Neolithic period (Late Stone Age) in the North Caucasus, clay products began to be fired. The region of the foothills of the Central Caucasus and Pyatigorye have been included in the area of the most ancient clay production since that time. An early form of pottery, characteristic of this region, was pottery similar to samples from the Nalchik settlement and burial ground. It dates back to the beginning of the Eneolithic (Copper Stone Age) and is a rough molded crockery. Vessels were fashioned by hand, without a potter’s wheel, by sticking rolled clay tows forming a wall. The hand molding of the vessels gave the surface a peculiar pictorial character.

These achievements are preserved and developed in the Central Ciscaucasia throughout the entire second millennium BC, when Pyatigorye becomes the center of the North Caucasian culture, which is characterized by a variety of forms of ceramic products. However, along with this, in the settlements of the upper reaches of the Kuma and in Pyatigorye, original ancient methods of hand molding of the Early Eneolithic period are preserved. The oldest methods of decoration are based on the use of a convex and in-depth pattern.

An important place in the formation of the figurative traditions of Pyatigorye in ceramics is occupied by the next period, when this area falls into the zone of distribution of the Koban culture of the 14th-13th centuries BC. The main monuments on the territory of the Caucasian Mineralnye Vody: burial grounds in Pyatigorsk (on Kalinin Street and near Proval, settlements at the foot of Mount Mashuk, east of the Lermontov duel site; on the southern slope of Mount Beshtau), burials near the city of Mineralnye Vody. The traditions of small animalistic plastic arts date back to this era, both utilitarianly complementing vessels and having independent significance. Figurines of animals, especially of the early period, cast from metal, bear clear traces of the traditions of primitive modeling from clay.

The Cimmerian and Scythian period includes vessels with fabric texture printed on raw clay, which was used as a decorative technique. In the future, textured decor in various forms becomes more and more complicated.
The Samartian era (III century BC -1 AD) brought unique traditions in ceramics to the region. These are, first of all, vessels in the form of birds or animals with a characteristic strong stylization, generalized plasticity. The next significant enrichment of the local style in ceramics was the emergence of pottery in Madjar (the valley of the Kuma River).

The Central Asian traditions of glazed ceramics, brought to the North Caucasus by local craftsmen in the course of the Mongol-Tatar conquests, underwent certain changes in the Central Ciscaucasia.

Features of local raw materials, the natural factor and the presence of rich local traditions led to changes in technology, a change and enrichment of colors, the adoption of traditional Caucasian ornamental and decorative motifs. In general, Madjar ceramics brought to the region characteristic bright contrasting color combinations based on various shades of local color, Turkic ornamental motifs and a peculiar rhythm of pictorial elements. The largest craft centers in the era of Mongol domination (XIII-XIU centuries) were the city of Majar and Pyatigorye, where the headquarters of the Mongol khans were located.
At the end of the 20th century, when the main trend of world and domestic culture was the revival of ancient traditions, one can positively assess the emergence of industries trying to solve this difficult problem. In 1996, LLC TPF “Temp” was founded in Pyatigorsk, which created art and ceramic workshops and determined as its task the revival and development of the traditions of ceramic crafts in Pyatigorsk. Production was established on the basis of local raw materials – white Uchkeken clays. Local artists who have passed the school of folk art, in particular in the Pyatigorsk branch of the Abramtsevo Art and Industry College named after. V. M. Vasnetsov, teamed up with the goal of developing, in the process of collective creativity, a single stylistic concept of craft based on the local Pyatigorsk traditions of ceramics.

In the products of the enterprise, one can distinguish characteristic decoration techniques that unite the entire range of products. These are such techniques as applying various types of texture on the raw surface of the product, including deep grooves encircling the body, longitudinal deep lines, outlines of the ornament selected on the surface of the vessel; applying planar textures, including an imprint of fabric on wet clay; a diverse combination of textured decor techniques. It is also characteristic that a drawing is applied to a product with a deep contour, which determines the composition and forms of glaze painting and is due to the above-mentioned methods of combining a natural clay shard with texture and glaze painting.

Items go through a process of monochrome glazing in a dark tone, and then hand-troweling, which makes it possible to darken the deep outline of the pattern and give an additional tone to the surface of the vessel. In the manual glaze painting, the artists of the enterprise chose a number of color schemes that independently decide the decor of the vessel or combine on the surface of the vases in contrasting combinations.

Traditional pottery is used, as well as hand molding, molding and stuffing of vessels. Animalistic plasticity of conditional decorative forms is widely represented. In shaping, the introduction of elements of ancient plasticity, simplicity, conciseness, but at the same time, the desire for expressiveness is noted. The potential for creative rethinking of ancient traditions was expressed in the original technique of combining the texture of a shard with glaze. The work on forms is also based on local traditions. All this indicates that the activities of LLC TPF “Temp” can be an example of the restoration and strengthening of ancient folk traditions, their real revival and development in modern conditions. The ancient ceramics of Pyatigorye lives and bears the symbols of cultural heritage in the works of the new folk art craft.

Art critic, member of the Union of “Artists of Russia”, Associate Professor of the Department of “Culturology” PSLU, Shamlidi L.Yu.

The Temp enterprise was organized in 1990 during the period of formation of medium and small businesses in the country

The company, like many enterprises, began its labor activity with retail trade in consumer goods.
The first own store “Light” for the sale of lighting fixtures appeared. Organization of the business, trust on the part of business partners made it possible to keep prices low and make a profit. With these funds, the Bogema salon-shop of a souvenir and gift direction was opened in the center of the historical pedestrian zone of Pyatigorsk.

But the dream of producing their own goods haunted. It was then that the idea of reviving the ancient folk traditions of Pyatigorsk ceramics was born, which became a priority for the company since 1996.

Artists (in the beginning there were three of them, and now there are 30) were looking for their own style, creating new forms. The first months of production were uninteresting, boring, ordinary, but we believed in success. We studied crafts since the Neolithic, focusing on shards and glued pots in museums, inspired by the beauties of the nature of the Caucasus, supplementing and enriching the general ideas of the Tempa artists – . .. and created the craft anew.

It was possible not only to recreate their own, primordially Pyatigorsk style of ceramics, but also to revive the unique production relations characteristic of folk craft.

Since 1997, Temp has been actively participating in exhibitions, including. and international ones, for example, at the 56th International Fair in Hannover. The works of our authors were constantly awarded with diplomas, certificates and medals.

In 1998 Temp became a collective member of the Union of Designers of Russia. By a decree of the Governor of the Stavropol Territory, it was determined that the place of traditional existence of the Pyatigorsk Ceramics NCP Pyatigorsk Ceramics LLC TPF Temp is the city of Pyatigorsk.

In 1999, the list of manufactured products was approved and submitted to the regional commission for folk art crafts.

In May 2001, the Commission of the Artistic and Expert Council under the Ministry of Industry, Science and Technology “Temp” – “Pyatigorsk Ceramics” was registered by the folk art craft of Russia under No. 45.

In 2002, we installed a potter’s wheel, built new furnaces, incl. for firing porcelain. Participated in exhibitions. Our ceramics has become recognizable and loved throughout Russia and abroad.

Our awards, and we have a lot of them, are the result of hard everyday work. “Temp” is the annual winner of competitions of the government of the Stavropol Territory for the production of high-quality products.

In 2003, according to the results of this competition, Temp was recognized as the quality leader in the Stavropol region.

In 2004, the enterprise became the winner of the All-Russian competition “Golden Mercury” in the nomination “The best enterprise of folk art crafts”.

Based on the results of 2005, Temp became a laureate of the 100 Best Goods of Russia competition.

In 2006, “Temp” was awarded a diploma and a medal of Peter the Great “For Labor Valour”.

The enterprise declared itself as one of the brightest sights of the city of Pyatigorsk.

2007 – financial victory in the competition at the Ministry of Economic Development, within the framework of the regional target program “Development of small business”, which made it possible to organize a packaging workshop.

In 2009, a new qualitative breakthrough of Tempa — a complete reconstruction of the store was carried out with an increase in sales area to 600 m2. The exhibition hall “Vernissage” was opened, where thematic exhibitions are held.

Bright and distinctive pieces created by artists drastically simplify possible marketing problems. The main thing for the enterprise is to give residents and guests of Pyatigorsk an opportunity to get acquainted with Pyatigorsk ceramics, pottery, porcelain and panels. And all our products are sold without any advertising tricks and tricks.

Artists have many new creative projects. And “Temp” still works in the mode specified by the name of the enterprise.

Historical reference / OOO TPF “Temp”

The North Caucasus is one of the most ancient centers of culture. Humans have inhabited this area for over 300,000 years. And already in the Neolithic period (Late Stone Age) in the North Caucasus, clay products began to be fired. The region of the foothills of the Central Caucasus and Pyatigorye have been included in the area of the most ancient clay production since that time. An early form of pottery, characteristic of this region, was pottery similar to samples from the Nalchik settlement and burial ground. It dates from the beginning of the Eneolithic (Copper Stone Age) and is a rough hand-made crockery. Vessels were fashioned by hand, without a potter’s wheel, by sticking rolled clay tows forming a wall. The hand molding of the vessels gave the surface a peculiar pictorial character.

These achievements were preserved and developed in the Central Ciscaucasia throughout the second millennium BC, when Pyatigorye became the center of the North Caucasian culture, which is characterized by a variety of forms of ceramic products. However, along with this, in the settlements of the upper reaches of the Kuma and in Pyatigorye, original ancient methods of hand molding of the Early Eneolithic period are preserved. The oldest methods of decoration are based on the use of a convex and in-depth pattern.
An important place in the formation of the figurative traditions of Pyatigorye in ceramics is occupied by the next period, when this area falls into the zone of distribution of the Koban culture of the 14th-13th centuries BC. The main monuments on the territory of the Caucasian Mineralnye Vody: burial grounds in Pyatigorsk (on Kalinin Street and near Proval, settlements at the foot of Mount Mashuk, east of the Lermontov duel site; on the southern slope of Mount Beshtau), burials near the city of Mineralnye Vody. Traditions of small animalistic plastic arts date back to this epoch, both utilitarianly supplementing vessels and having independent significance. Figurines of animals, especially of the early period, cast from metal, bear clear traces of the traditions of primitive modeling from clay.

The Cimmerian and Scythian period includes vessels with fabric texture imprinted on wet clay, which was used as a decorative device. In the future, textured decor in various forms becomes more and more complicated.
The Samartian era (III century BC -1 AD) brought unique traditions in ceramics to the region. These are, first of all, vessels in the form of birds or animals with a characteristic strong stylization, generalized plasticity. The next significant enrichment of the local style in ceramics was the emergence of pottery in Madjar (the valley of the Kuma River).

Central Asian traditions of glazed ceramics, brought to the North Caucasus by local craftsmen in the flow of Mongol-Tatar conquests, have undergone certain changes in the Central Ciscaucasia.

Features of local raw materials, the natural factor and the presence of rich local traditions led to changes in technology, a change and enrichment of colors, the borrowing of traditional Caucasian ornamental and decorative motifs. In general, Madjar ceramics brought to the region characteristic bright contrasting color combinations based on various shades of local color, Turkic ornamental motifs and a peculiar rhythm of pictorial elements. The largest craft centers in the era of Mongol domination (XIII-XIU centuries) were the city of Majar and Pyatigorye, where the headquarters of the Mongol khans were located.
At the end of the 20th century, when the main trend of world and domestic culture was the revival of ancient traditions, one can positively assess the emergence of industries trying to solve this difficult problem. In 1996 in Pyatigorsk LLC TPF “Temp” was founded, which created art and ceramic workshops and defined as its task the revival and development of the traditions of ceramic crafts in Pyatigorye. Production was established on the basis of local raw materials – white Uchkeken clays. Local artists who have gone through the school of folk art, in particular in the Pyatigorsk branch of the Abramtsevo Art and Industry College. V. M. Vasnetsov, united in order to develop in the process of collective creativity a single stylistic concept of craft, based on the local Pyatigorsk traditions of ceramics.

In the products of the enterprise, one can distinguish characteristic decoration techniques that unite the entire range of products. These are such techniques as applying various types of texture on the raw surface of the product, including deep grooves encircling the body, longitudinal deep lines, outlines of the ornament selected on the surface of the vessel; applying planar textures, including an imprint of fabric on wet clay; a diverse combination of textured decor techniques. It is also characteristic that a drawing is applied to the product with a deep contour, which determines the composition and forms of the glaze painting and is due to the above-mentioned methods of combining a natural clay shard with texture and glaze painting.

Items go through a process of monochromatic glazing in a dark tone and then hand-troweling, which makes it possible to darken the deep outline of the design and give an additional tone to the surface of the vessel. In the manual glaze painting, the artists of the enterprise chose a number of color schemes that independently decide the decor of the vessel or combine on the surface of the vases in contrasting combinations.

Traditional pottery is used, as well as hand molding, molding and stuffing of vessels. Animalistic plasticity of conditional decorative forms is widely represented. In shaping, the introduction of elements of ancient plasticity, simplicity, conciseness, but at the same time, the desire for expressiveness are noted. The potential for creative rethinking of ancient traditions was expressed in the original technique of combining the texture of a shard with glaze. The work on forms also draws on local traditions. All this indicates that the activities of LLC TPF “Temp” can be an example of the restoration and strengthening of ancient folk traditions, their real revival and development in modern conditions. The ancient ceramics of Pyatigorye lives and bears the symbols of cultural heritage in the works of the new folk art craft.

Art critic, member of the Union of “Artists of Russia”, associate professor of the department of “Culturology” PSLU, Shamlidi L.Yu.

The history of the creation of the fishery

The Temp enterprise was organized in 1990 during the formation of medium and small businesses in the country

The company, like many enterprises, began its work with retail trade in consumer goods.
The first own store “Light” for the sale of lighting fixtures appeared. The organization of the business, the trust of business partners made it possible to keep prices low and make a profit. With these funds, the Bogema salon-shop of a souvenir and gift direction was opened in the center of the historical pedestrian zone of Pyatigorsk.

Not only did they manage to recreate their own, primordially Pyatigorsk style of ceramics, but also to revive the unique production relations characteristic of folk craft.

Since 1997 “Temp” takes an active part in exhibitions, including. and international, for example, at the 56th International Fair in Hannover. The works of our authors were constantly awarded with diplomas, certificates and medals.

In 1998 “Temp” became a collective member of the Union of Designers of Russia. By the decree of the governor of the Stavropol Territory, it was determined that the place of traditional existence of the Pyatigorsk Ceramics NCP Pyatigorsk Ceramics LLC TPF Temp is the city of Pyatigorsk.

In 1999, the list of manufactured products was approved and submitted to the regional commission for folk art crafts.

In 2002, we installed a potter’s wheel, built new ovens, incl. for firing porcelain. Participated in exhibitions. Our ceramics has become recognizable and loved throughout Russia and abroad.

In 2003, according to the results of this competition, Temp was recognized as the quality leader in the Stavropol region.

In 2004, the enterprise became the winner of the All-Russian competition “Golden Mercury” in the nomination “The best enterprise of folk art crafts”.

Based on the results of 2005, Temp became the laureate of the 100 Best Goods of Russia competition.

In 2006 “Temp” was awarded a diploma and a medal of Peter the Great “For Labor Valour”.

The company declared itself as one of the brightest sights of the city of Pyatigorsk.