Kidz korner channahon: Kidz Korner | CHANNAHON IL Day Care Center

Опубликовано: March 22, 2023 в 10:23 am

Автор: alexxlab

Категории: Kid

Kidz Korner | CHANNAHON IL Day Care Center

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About the Provider

Creative Garden LC Glen Burnie – Ba…

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Creative Garden LC Glen Burnie – Baltimore MD Licensed Child Care Center

Description: Kidz Korner is a family owned and operated early learning childcare center that accepts children 6 weeks to 12 years of age. Our highly qualified staff has an exceptional amount of experience and dedication to children. Whether you are in need of daycare or looking for an educational environment for your child, Kidz Korner is sure to exceed your expectations!

Additional Information: Provider First Licensed on 08/27/10.

Program and Licensing Details

License Number:
499897
Capacity:
75
Age Range:
6W TO 12Y
Enrolled in Subsidized Child Care Program:
No
Current License Issue Date:
Aug 27, 2016
District Office:
Department of Children & Family Services
District Office Phone:
(877) 746-0829 (Note: This is not the facility phone number. )

Location Map

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Kidz Korner Early Learning Center

Kidz Korner Early Learning Center – Care.com Channahon, IL

Costimate^™

^$170

per week

Ratings
(2)

★★★★★

Availability

Costimate^™

^$170/week

Ratings
(2)

★★★★★

Availability

At Care. com, we realize that cost of care is a big consideration for families. That’s why we are offering an estimate which is based on an average of known rates charged by similar businesses in the area. For actual rates, contact the business directly.

Details and information displayed here were provided by this business and may not reflect its current status. We strongly encourage you to perform your own research when selecting a care provider.

Established in 2009, Kidz Korner Early Learning Center is an early education and childcare provider. It is located in Channahon, Illinois. It serves infants up to children ages thirteen years old. The Center offers educational programs for infants, toddlers, two-year olds, three-year olds, four-year olds, and school-aged children. Additionally, it provides tight security for children through video monitoring. It is operational Monday through Friday, 6:00 a.m. to 6:30 p.m.

In business since: 2009

Total Employees: 2-10

Care. com has not verified this business license.
We strongly encourage you to contact this provider directly or

Illinois’s
licensing
department

to verify their license, qualifications, and credentials.

The Care.com Safety Center
has many resources and tools to assist you in verifying and evaluating
potential care providers.

Monday :	6:00AM – 6:30PM
Tuesday :	6:00AM – 6:30PM
Wednesday :	6:00AM – 6:30PM
Thursday :	6:00AM – 6:30PM
Friday :	6:00AM – 6:30PM
Saturday :	Closed
Sunday :	Closed

Type

Child Care Center/Day Care Center

Preschool (or Nursery School or Pre-K)

Kindergarten

Additional Details

Summer care / camp

Costimate^™

^$170/week

At Care. com, we realize
that cost of care is a big consideration for families. That’s
why we are offering an estimate which is based on an average of
known rates charged by similar businesses in the area. For
actual rates, contact the business directly.

OFFERINGS

Full Time (5 days/wk)

Part Time (1-4 days/wk)

06/06/2017

They have been amazing for the year we have been with them! My daughter has been in the infant room and toddler. Amazing people!

08/25/2016

Infant room is not breastfeeding friendly. The teacher is rude and harassed me every day about how I was choosing to raise my child. They need to educate themselves. They do not tend to crying babies. I was told they can’t hold them because there is to many. They had no more than 8 any given day, and three teachers.

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Debussy. Children’s Corner (L 113)

Suite for piano

The suite for piano “Children’s Corner” was composed gradually (No. 1908. He dedicated the suite to his daughter – “to my dear little Shusha with tender apologies from her father for what follows.”

The titles of the entire suite and individual plays in English reflected the Anglomania that was quite widespread among the French intelligentsia since the time of Baudelaire, Verlaine, Mallarme (in addition, Shushu had an English governess) (Sometimes Debussy even sent his friends New Year wishes in English.).

Comparing Debussy’s “Children’s Corner” with Mussorgsky’s “Children’s Room”, A. Cortot rightly noted their difference. Pointing to the spontaneity and naivete of Mussorgsky’s cycle, Cortot wrote that “Debussy, on the contrary, depicts in Children’s Corner graceful games under supervision, modest pranks, affectionate gestures of a city girl and even a Parisian, already coquettish and a little bit of a woman, whose witty fantasy, like as if tempered at times by the presence of a traditional miss.”

According to Wuylermoz’s extreme opinion, “Children’s Corner” does not correspond to children’s perception at all (not without reason, they say, that’s why Debussy apologized to Shusha) and looks like “one of those luxurious toys that do not amuse children, which parents carefully lock in a closet. ” Such an opinion is almost excessive, although there is some truth in it, since Debussy is by no means always simple and unpretentious.

In the first piece of the cycle (under the title “ Doctor Gradus ad Parnassum “), Debussy himself wrote to Durand on August 15, 1908, that this is “a kind of hygienic and progressive gymnastics: therefore, it is appropriate to play this piece every morning, on an empty stomach, starting” moderately” to end with “briskly”. I hope you will be charmed by the clarity of this explanation.”

The irony of Debussy towards Clementi, and at the same time about all kinds of exercises, is also evident in the music itself. Debussy emphasizes the techniques of the old “formulas of movement”, sequences, gives a reprise at the dominant organ point, etc. But there is also sincere enthusiasm in music, a poetic play of colors. Towards the end, on a very moderate scale, but nevertheless, one of the impressionistic “ecstasies” develops with a brilliant statement of the tonic. The play as a whole is symptomatic, as Debussy’s attempt to merge the former impressionistic principles with the features of neoclassicism, which are developing more and more noticeably in his work.

The two following pieces (“ Lullaby of the Elephants ” and “ Serenade to the Doll ”) are noticeably less bright in our opinion. The first of them draws “elephant tenderness” quite clearly and with expressive details (Mussorgsky is felt at times), but somewhat monotonously. In the play Serenade to a Doll, the first section (with four sharps in the key) is very well built in form – the music, as it were, smoothly dissolves. But then there are a lot of lengths, traits of indifference also show through. The theme of the serenade, with its passages of fourths, equipped with grace notes, is somewhat reminiscent of the themes that we often meet with Ravel.

The fourth piece of the cycle (“ Snow is dancing ”), on the contrary, is excellent in expressiveness, although it can hardly be called a truly childish one (As Yu. others).). What captivates here is the amazing subtlety of shades and the aching sadness characteristic of all music. Despite the comparatively large size of the piece, it is listened to without fatigue due to its emotional richness. The image is again conceived metaphorically (how to catch the sounds of snow?), but a very bright and understandable analogy was found: instead of contemplating the fussy and restless flight of dancing snowflakes, we hear light hasty beats of sound “droplets”. With his inherent skill, Debussy plastically changes the emotional coloring, and the “music” of snow seems either alluringly attractive, or surprisingly sad (such are the long sighs of the upper voice in measures 22-29). And then the sadness intensifies exhilaratingly. In bars 34-38, groans and weeping are already audible – and it is difficult to recognize whether the blizzard is crying or the unfortunate child, caught in bad weather. And is it necessary to distinguish? The charm of this lyrical landscape lies in the close fusion of the voices of nature and man. Following the resumption of plaintive lamentations (bars 44-48), the music briefly becomes persistently disturbing, and then (after the reprise of the first theme) gradually fades away and fades away (The last bars are reminiscent of the play The Beetle from Mussorgsky’s Nursery.). The connection between the image of snow and sadness will continue in Debussy later.

In the piece “ The Little Shepherd ” there are expressive contrasting juxtapositions of monophonic tunes and tunes with accompaniment, natural modes and chromatisms, sharply dissonant harmonies (Among them are constructions from a minor third and an augmented fifth, beloved by Ravel.) and soft, fresh, unexpected sounding tonic in A major and E major. The contrast between the minor tonic and the major subdominant also sounds very peculiar in bars 24-25 (this “echo” effect is akin to Grieg). According to the memoirs of Margarita Long, Shushu herself played the play “The Little Shepherd” a few years after the completion of the “Children’s Corner” by the composer.

The last piece in the series “ Puppet Cake Walk ” stands out among all the other pieces with its “urban” intonation structure. Debussy pays an obvious tribute to American sharply rhythmic dances, which he ridiculed (about Susa) in one of his articles. Irony is also inherent in the music of the cake walk – after all, with all Debussy’s interest in “new songs” from across the ocean, he could not love them, just as he could not love the hustle and bustle of Parisian life. (Mockery is palpable in the name itself: “Golliwogg’s Cakewalk”; after all, “golliwog” in English means not a doll at all, but a freak doll, a scarecrow.)0005

Brilliantly imitating the sounds of a variety orchestra (in particular, percussion and brass) in “Puppet Cake Walk”, Debussy simultaneously resorted to a completely different irony – to Wagner. According to the surviving tradition, Debussy promised the first performer of the “Children’s Corner” Harold Bauer (a zealous Wagnerian) to make him publicly laugh at Wagner. He was completely bewildered. But after the performance of “Children’s Corner” Debussy pointed out to Bauer fragments from “Puppet Cake Walk”, where after the quote from “Tristan and Isolde” follows the music, as if imitating laughter:

This legend is reported by N. Slonimsky in his book “The Path to Music”, and it must be admitted that it is in good agreement with our ideas about Debussy’s humor in general.

Yu. Kremlev

Debussy’s piano works →

Kidz korner channahon: Kidz Korner | CHANNAHON IL Day Care Center

Kidz Korner | CHANNAHON IL Day Care Center

About the Provider

Program and Licensing Details

Location Map

Reviews

Nearby Providers

Kidz Korner Early Learning Center

Debussy. Children’s Corner (L 113)

Suite for piano

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