Childtime baldwinsville: Childtime of Baldwinsville in Baldwinsville, NY | 8439 Loop Road

Childtime of Baldwinsville in Baldwinsville, NY | 8439 Loop Road

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Childtime of Baldwinsville, NY

Welcome to Our School

Welcome to Childtime Learning Center in Baldwinsville, New York.

Our school offers Infant and Toddler care, Preschool, Pre-Kindergarten, Before- and After-School care, as well as a wonderful summer program for our School-Aged children! Bussing is provided by the school districts to all of Baldwinsville Elementary Schools.

Our center provides every child with CAFCP-approved breakfast, lunch, and afternoon snack as well hypo-allergenic diapers and wipes for children in the Infant and Toddler age groups, all at no extra cost to you! We also offer elective courses such as yoga and phonics to many of our children.

Our team of teachers takes part in early childhood education training throughout the year. In addition, majority of our staff is certified in CPR and First Aid. We also have an open-door policy for anyone who would like to talk.

We’re committed to keeping you connected throughout the day while your child is in our care. Get access to live streaming video of your child’s classroom, plus other real-time updates, with our exclusive mobile app for families, SproutAbout.

Please stop by our Childtime Learning Center in Baldwinsville, New York, or call today to schedule a tour. We would love for your family to become a part of ours!

Here’s what people have to say

4.86 out of 5 stars

Great experience all the teachers are very nice and loving.

Verified Shopper

My son is new to the school, Ms. Sarah and Ms. Mindy have been great to work with. Very loving and willing to work with my son in transitioning to the school. I am glad he started with such great teachers!

Verified Shopper

Since we’ve been coming to Childtime, the director and staff have been very friendly and attentive to both our needs and our child. The Brightwheel app is an excellent resource for keeping up to date with our child’s day and seeing some fun pictures and videos. I would recommend Childtime to other parents.

Verified Shopper

Amazing staff who really cares about my child.

mrsashleymkelly

Coming to Childtime was the best decision I’ve made for my child. I am beyond happy with the care he receives and I look forward to watching him grow!

Verified Shopper

Since my son has enrolled in Childtime he has grown so much. The teachers really care about their job and do an amazing job everyday.

Verified Shopper

I used to have a very different opinion of daycare before enrolling my son with childtime. Childtime has everything a working parent needs to feel their child is safe, loved and learning during the day. My son absolutely loves the staff at Childtime and I feel so confident in them. While I amAt work my mind is at ease because I know he is being properly cared for. I am so grateful for such an amazing

…

staff who loved my son as if he was their own. My family is forever grateful.

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Verified Shopper

Grow Your Connection

With SproutAbout, you won’t miss a thing when your child is at school with us. Take a peek at the engaging experience provided by our new app.

Learn About Electives

For an additional fee, go beyond regular classroom learning experiences with our enhanced series of fun, interactive enrichment programs exploring a variety of activities. We offer:

Soccer, Music, Yoga, Spanish, Phonics, Handwriting & Advanced Math

Proud to be Accredited!

We’ve been recognized as a high-quality early education program.

Open a window to your child’s day.

SproutAbout^®, our exclusive family app, provides free live streaming video of your child’s classroom to your mobile device.

Learn More

Local School Phone Number: 315.635.1693315.635.1693


License #: 00042111DCC

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Childtime Learning Center (2023 Profile)

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Children’s time (season 1) / Kodomo no Jikan [1-12 of 12] watch anime online for free

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Categories: Anime, TV Shows, 2007, Drama, Comedy, Romance, Ecchi

Description: Aoka Taisuke knows better than anyone that the job of a teacher is not the easiest and most exciting. The guy, when he was twenty-three years old, went to school, but he did not expect what awaits him in this hellish place. Moreover, it all started from the moment he first stepped outside the classroom, a crowd of naked girls who were not embarrassed by anything, on the contrary, they looked at the guy with interest. Then it only got worse, a girl named Rin approached the guy and directly began to be interested in whether the guy had a girlfriend, moreover, she smiled and said that she was ready to become one. Hehe, you thought that was it? No, this is just the beginning. Before Aoki, Namisuki-san worked there, behaving cruelly with his subordinates. And what was to be expected from this, the students got rid of the annoying teacher. But after that, some girls did not want to forgive the insult, in particular Mimi-chan, who stopped going to classes. Rin and Kuro also want to make fun of this teacher, they constantly put a bastard. The end of the story can be found out by watching this anime before the end.

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Children’s time – Press – Krasnoyarsk Theater for Young Spectators

March 22, 2012

“iPhone, social network, series, video game, THEATER” – find the EXTRA WORD. ANY SCHOOLCHILD can handle this text, you think, and you will be ABSOLUTELY RIGHT.

Will a teenager go to the theater voluntarily, and not because Marivanna forces her to? Should the performance explain to children what is good and what is bad? Why do we need a verbatim theater and, finally, where does the bun go? Premium asked all these questions to the new chief director of the Krasnoyarsk Youth Theater Roman Feodori.

– Roman, in your performance “Natasha’s Dream” the characters swear – what would you say to outraged parents who say: “You can’t let the children listen to this”?

– I would not talk to such parents. (Laughs.) In general, swearing in the theater is the same story as with nudity. My teacher Trostyanetsky told about the festival, where he watched a performance about a concentration camp. There, the Nazis forced the Jewish women to put on a show for them on New Year’s Eve. And during this performance, one of the Germans tore off the woman’s clothes, and the actress stood naked in front of the audience like this. There was deathly silence in the hall. And the next day, my teacher watched a Dutch performance in which a young man took off his T-shirt, then trousers, panties, and remained so beautiful naked. The hall was also quiet, only the clicks of cameras could be heard. And Trostyanetsky said that if at the performance about the concentration camp at the moment of exposure at least one cattle was clicked by the camera, then this person would immediately get in the face. Therefore, the issue of nudity in the theater is not worth it: if it is impossible to do without it, then it is needed. The same with the mother.

– That is, swearing is such an artistic device?

– This is such a way of authenticity. As a child, I always laughed when soldiers in the war run in the film, one of them tears off his leg, and he says: “Lord, what is this!” Because I know approximately what words are actually being said at this moment.

– How do you feel about the position “the theater should teach good things, you can’t show nasty things on stage”?

– I really love Loevsky’s phrase: when children come into this world, they inherit it from us. In it, they are immediately faced with questions, and not one has a ready answer. In the same way, the theater should not teach anything and give ready-made answers. His task is to raise questions, encourage reflection, help the child build his own life position. And when they say in the theater “a squirrel with a bunny is good, but a fox is bad, let’s scold her” … As a child, I always thought at such moments that they were mocking me.

– At what age can serious questions be asked?

– Five years old. For younger children there is a theater, which is called “from zero to five”, where they mainly play with children; it is interactive there, babies are crawling everywhere, they all kneaded the dough together and baked pies, depicted some waves, came up with a fairy tale – that’s what it is, this theater. And from the age of five, you can already calmly ask questions. We will definitely deal with both – the next season was called the “Big Season of Children’s Drama”, where the emphasis will be on viewers up to 12 years old. There is such a play – “At the ark at eight.” It’s about three penguins who kept arguing whether there is a God. And then a dove flies in – they say, guys, tin: God decided to drown everyone. There are tickets for the ark, but only two. Well, the story unfolds further, but it’s not really about penguins and friendship – it’s about who God is, where he is, whether he exists at all or not. And then one day I come to Sakhalin, and I have a brother and a little niece there. She is forbidden to climb into the buffet with sweets, they say: if you climb there, God will see. And they gave her a cross. What the girl did: she tore off the cross, flushed it down the toilet so that God would not see it, and climbed into the sideboard. And then I realized that it was time for this child to go to the play “At the Ark at Eight” – together with their parents. And then talk about the cross, and about God.

– Yes, it’s not a bunny and a fox…

– We were deceived by bunnies and foxes, unfortunately. Maybe that’s why we are like to say … Incapable of any serious action. And now guys who own a computer at the age of 8 can open the desired program and immediately download what they need to their iPhone. They are somehow different. It seems to me that something either very destructive or seriously creative can grow out of this generation.

– Does the theater have time to respond to the fact that children have changed?

– Of course. The theater is a very living being, it reacts to everything, every second. A play that was staged eight years ago cannot be played the same way every year. He can’t even play the same way every time, you know? Everything is important: what mood, what season, what is happening in the country; someone got a stomach ache, someone drank too much yesterday, someone is late for a date, the twin towers collapsed – everything that happens is reflected in the performance. It seems to me that this is the peculiarity of the theater: it is a unique thing that happens only here and now, specifically for you. That is why the theater survived the advent of radio and television, and the Internet will survive.

– What kind of theater should be like for a child to break away from the Internet and come to you?

– Interesting, but a person is interested, first of all, in himself. It doesn’t matter what I watch: a children’s fairy tale, a plastic performance, an opera ballet, Pina Bausch – if the theater does not talk about me, about what processes are going on in me, then such a theater is not needed. This also applies to children. Janusz Korczak said the following thing: there are no children, there are people. And do not try to talk to children as if they were children – talk to people.

– What do you try to talk about with children at your performances – are there any topics that are especially important for them now?

– Difficult to answer, it needs a lot of research work. Soon, just for this purpose, we are launching an experiment that has not yet been in Krasnoyarsk – a verbatim project called “A Teenager from the Right Bank. ”

– Verbatim – what does it mean?

– Means: documentary, verbatim. We want to describe one day of a teenager: how he wakes up, where he goes, what he sees, with whom he spends time, with whom he is in love, what worries him, what he just talks about, who his friends are, what he does in the evening, what he drinks or smokes .. To get this material, the artists will “go to the people” for several days – they will get acquainted with teenagers and record everything that these guys say. Preliminarily, we plan to conduct a training with the troupe, for this Sasha Denisova, one of the best documentary playwrights, will come. As a result, we should get such a performance-mirror, in which there will not be a single invented word.

– Do you want to make a performance without a literary basis – but in general, a lot of plays are written for children and teenagers, do you have enough material?

– There is enough material – both classics and modern drama. Another thing is that in our time it is difficult to write for children, because in the Russian theater there is an attitude towards children’s performances as something second-rate. They are made on the remnants of adult, “serious” performances. But in fact, a children’s performance requires a lot of expenses, and not only material, but physical and mental. It is unlikely that a child will believe what an adult viewer believes – after all, children feel falseness. I really like to watch how an artist comes out in children’s performances and imitates communication with the audience. The audience is trying to answer, but he doesn’t need these answers – he imitates: “Hello, kids, what do you think, ah-ah-ah, everything is clear, but I’ll tell you …” And that’s it, attention is lost, and the audience these are lost forever.

– How do you plan to end this season besides the verbatim project?

– Aleksey Kriklyvyy, the chief director of the Globe Theatre, is releasing the second part of the trilogy under the code name “Visual Remaking of a Man”. The first part was “Fahrenheit Show”, and the second will be neither more nor less – “A Clockwork Orange”. Premiere early April.

– Will there be global changes next season?

– It will start with a large laboratory “School of Children’s Drama”. Five very interesting directors will come and show sketches of children’s performances: it will be an unadapted fairy tale, an unadapted prose, a play, a plastic performance and a musical one. After that, the children and I will vote – what we would like to leave, and what – to forget like a bad dream. The whole of October will be devoted to work on these productions, plus we will watch performances from other cities that were born in such laboratories. Next, the Moscow director Polina Struzhkova will show the premiere of the play “Tim Thaler, or Sold Laughter”, which will be the end of the laboratory and at the same time the opening of the season. In December, we are waiting for a big performance “The Snow Queen”, where there will be a live orchestra and circus numbers – we want to do a little “Cirque du Soleil”.